The Works of Eminent Masters, in Painting, Sculpture, Architecture, and Decorative Art, 第 1 卷John Cassell, 1854 |
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第 3 頁
... piece of money , which he holds aloft in his hand with a triumphant air ; another holds a glass in his hand , which he appears about to dash to the ground and shiver in pieces . The servant of the house hastens to profit by so ...
... piece of money , which he holds aloft in his hand with a triumphant air ; another holds a glass in his hand , which he appears about to dash to the ground and shiver in pieces . The servant of the house hastens to profit by so ...
第 10 頁
... pieces , landscapes , history , and religion . By his hand are " The Continence of Scipio ; " " Jesus Preaching in the Wilderness ; " " The Marriage of Cana , " & c . , & c .; but let us observe that the comic sentiment of the artist ...
... pieces , landscapes , history , and religion . By his hand are " The Continence of Scipio ; " " Jesus Preaching in the Wilderness ; " " The Marriage of Cana , " & c . , & c .; but let us observe that the comic sentiment of the artist ...
第 14 頁
... pieces . This painter , says Sir Edmund Head , is the master whose pictures form the proper type and centre of the ... piece , with a brisk swell and rain clouds clearing off , is in 14 THE WORKS OF EMINENT MASTERS . RUYSDAEL:- Christ ...
... pieces . This painter , says Sir Edmund Head , is the master whose pictures form the proper type and centre of the ... piece , with a brisk swell and rain clouds clearing off , is in 14 THE WORKS OF EMINENT MASTERS . RUYSDAEL:- Christ ...
第 16 頁
... pieces of rocks carried away by torrents , that is to say , the ruins of nature ; for nature has her ruins like the ineffable poetry and strict precision , it may be said that he painted his landscapes in the obscure chamber of his soul ...
... pieces of rocks carried away by torrents , that is to say , the ruins of nature ; for nature has her ruins like the ineffable poetry and strict precision , it may be said that he painted his landscapes in the obscure chamber of his soul ...
第 26 頁
... pieces are representations of scenes in low life in London . Their names , such as " Southwark Fair , " " Modern ... piece , which contained a serious moral , was Marriage à la Mode . " It consisted of a series of six scenes . The ...
... pieces are representations of scenes in low life in London . Their names , such as " Southwark Fair , " " Modern ... piece , which contained a serious moral , was Marriage à la Mode . " It consisted of a series of six scenes . The ...
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admirable Albert Cuyp Albert Durer amateurs amongst animals Antwerp appears artist beauty Berghem Bourdon Breughel canvas celebrated character charming church Claude Lorraine collection colour composition copy Cuyp drawing Duke Dutch effect engraved excellent executed exhibited expression father figures finished Flemish flowers foreground France French gallery genius give grace hand honour horse Huysum imitation Italy Jan Steen Karel Dujardin king lady landscape Lebas light lived look Louis Louis XIV Louvre manner master Michael Angelo Miéris Murillo Museum nature never Ostade Oudry painted painter palace Paris Paul Bril Paul Potter pencil Peter Paul Rubens picture pieces portrait possessed Poussin produced pupil Rembrandt rendered represented rich Rome Rubens says scene sculpture Sebastien Bourdon seen sketch sold style talent taste thought tion Titian tone touch trees truth Vandervelde Vandyck Velasquez Velde Vernet Virgin woman young
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第 35 頁 - But rather to tell how, if art could tell, How from that sapphire fount the crisped brooks, Rolling on orient pearl and sands of gold, With mazy error under pendent shades Ran nectar, visiting each plant, and fed Flowers worthy of Paradise, which not nice art In beds and curious knots, but nature boon Pour'd forth profuse on hill, and dale, and plain...
第 35 頁 - Imbrown'd the noontide bowers ; thus was this place A happy rural seat of various view ; Groves whose rich trees wept odorous gums and balm; Others whose fruit, burnish'd with golden rind, Hung amiable, Hesperian fables true, If true, here only, and of delicious taste : Betwixt them lawns, or level downs, and flocks Grazing the tender herb, were interposed ; Or palmy hillock, or the flowery lap Of some irriguous valley spread her store, Flowers of all hue, and without thorn the rose...
第 260 頁 - Round-hoofd, short-jointed, fetlocks shag and long, Broad breast, full eye, small head, and nostril wide, High crest, short ears, straight legs and passing strong, Thin mane, thick tail, broad buttock, tender hide : Look, what a horse should have he did not lack, Save a proud rider on so proud a back.
第 277 頁 - A natural sermon o'er their pebbly beds ; Where swarms of minnows show their little heads, Staying their wavy bodies 'gainst the streams To taste the luxury of sunny beams Tempered with coolness.
第 277 頁 - Linger awhile upon some bending planks That lean against a streamlet's rushy banks, And watch intently Nature's gentle doings : They will be found softer than ring-dove's cooings. How silent comes the water round that bend...
第 35 頁 - Of porous earth with kindly thirst up drawn, Rose a fresh fountain, and with many a rill Watered the garden; thence united fell Down the steep glade, and met the nether flood, Which from his darksome passage now appears...
第 410 頁 - O, to Heaven how lost, If my ingratitude's unkindly frost Has chilled the bleeding wounds upon thy feet. How oft my guardian angel gently cried, " Soul, from thy casement look, and thou shalt see...
第 16 頁 - As doves By fond desire invited, on wide wings And firm, to their sweet nest returning home, Cleave the air, wafted by their will along ; Thus issued, from that troop where Dido ranks, They, through the ill air speeding : with such force My cry prevail'd, by strong affection urged.
第 277 頁 - Here are sweet peas, on tip-toe for a flight : With wings of gentle flush o'er delicate white, And taper fingers catching at all things, To bind them all about with tiny rings.
第 234 頁 - I found the paper blotted nearly alike : their general practice appeared to be, to allow not above a quarter of the picture for the light, including in this portion both the principal and secondary lights ; another quarter to be as dark as possible ; and the .remaining half kept in mezzotint or half shadow.