Shakespeare's Festive Tragedy: The Ritual Foundations of GenrePsychology Press, 1995 - 266页 Shakespeare's Festive Tragedy is a unique look at the social and religious foundations of the tragic genre. Naomi Liebler asks whether it is possible to regard tragic heroes such as Coriolanus and King Lear as `sacrifical victims of the prevailing social order'. |
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ambiguity ambivalence Antony argues Aristotle Artaud audience Bassianus behavior body Bolingbroke Brecht bricolage Brutus Brutus's Cain Cain and Abel calls celebration ceremony character Claudius Claudius's communitas community's conflict constructed context Coriolanus Coriolanus's crisis critical cultural custom cycle play death definition Derrida discourse distinction drama Elizabethan England father festive function genre Girard Goths hamartia Hamlet hero Herodian hierarchy hobby-horse human identified identity inversion Julius Caesar killed kind King Lear Lear's liminality Lupercal Lupercalia Macbeth marginal meaning misrecognition modern murder narrative occurs omophagia paradox passage performance pharmakos plague play's Plutarch political problematic protagonist relation representation represented Richard Richard II rites ritual ritual action ritual practice ritualistic Roman Rome Romeo Romulus sacrifice says scene secular sense Shakespeare's Shakespeare's play Shakespearean tragedy social society sparagmos specific status structure survival symbolic Tamora theater thou Titus Andronicus traditional tragic transformation Turner victim victimage Victor Turner violations violence