The Plays and Poems of William Shakespeare: Accurately Printed from the Text of the Corrected Copies, Left by the Late Samuel Johnson, George Steevens, Isaac Reed, and Edmond Malone
E. Fleischer, 1833 - 1064 頁
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answer appears Attendants bear better blood bring brother comes daughter dead dear death dost doth Duke Enter Exeunt Exit eyes face fair faith father fear follow fool Ford fortune gentle give gone grace hand hast hath head hear heard heart heaven hold honour hope Host hour husband I'll John keep king lady leave Leon live look lord madam marry master mean meet mind mistress nature never night noble once peace play poor pray present prince reason rest Rich SCENE Servant serve Shakspeare soul speak Speed spirit stand stay sure sweet tell thank thee there's thing thou art thought tongue true truth turn wife woman young
第 185 頁 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look, how the floor of heaven Is thick inlaid with patines of bright gold; There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins: Such harmony is in immortal souls; But, whilst this muddy vesture of decay Doth grossly close it in, we...
第 337 頁 - This England never did, (nor never shall,) Lie at the proud foot of a conqueror, But when it first did help to wound itself. Now these her princes are come home again, Come the three corners of the world in arms, And we shall shock them : Nought shall make us rue, If England to itself do rest but true.
第 397 頁 - With deafning clamours in the slippery clouds, That, with the hurly," death itself awakes ? Can'st thou, O partial sleep ! give thy repose To the wet sea-boy in an hour so rude ; And in the calmest and most stillest night, With all appliances and means to boot, Deny it to a king? Then, happy low, lie down ! Uneasy lies the head that wears a crown.
第 viii 頁 - They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some place; but the different actions that complete a story may be in places very...
第 87 頁 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: How would you be, If he, which is the top of judgment, should But judge you as you are? O, think on that; And mercy then will breathe within your lips, Like man new made.
第 ix 頁 - He that, without diminution of any other excellence, shall preserve all the unities unbroken deserves the like applause with the architect who shall display all the orders of architecture in a citadel without any deduction from its strength; but the principal beauty of a citadel is to exclude the enemy, and the greatest graces of a play are to copy nature and instruct life.
第 ix 頁 - It will be asked how the drama moves if it is not credited. It is credited with all the credit due to a drama. It is credited, whenever it moves, as a just picture of a real original, as representing to the auditor what he would himself feel if he were to do or suffer what is there feigned to be suffered or to be done. The reflection that strikes the heart is not that the evils before us are real evils but that they are evils to which we ourselves may be exposed.
第 196 頁 - Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side ; His youthful hose, well sav'd, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward...
第 ix 頁 - By supposition, as place is introduced, time may be extended ; the time required by the fable elapses for the most part between the acts ; for, of so much of the action as is represented, the real and poetical duration is the same. If in the first act preparations for war against...