Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 57 筆
第 2 頁
... true that one cannot be a great poet without any critical faculty in him . For a critic , however learned in the critical lore he may be , to be unbiased is no less difficult than it is for a poet . And there is the danger of becoming ...
... true that one cannot be a great poet without any critical faculty in him . For a critic , however learned in the critical lore he may be , to be unbiased is no less difficult than it is for a poet . And there is the danger of becoming ...
第 128 頁
... true no doubt that his medium is an obstacle as well as a medium , but this is also true of language . pp . 157-8 . 9. A History of Modern Criticism , Vol . II , p . 126 . op . cit . CHAPTER TEN THE VICTORIAN ATTITUDE Much that we ...
... true no doubt that his medium is an obstacle as well as a medium , but this is also true of language . pp . 157-8 . 9. A History of Modern Criticism , Vol . II , p . 126 . op . cit . CHAPTER TEN THE VICTORIAN ATTITUDE Much that we ...
第 166 頁
... true critic is he who bears within himself the dreams , ideas and feelings of generations and can separate the grain from chaff by comparison . Gilbert quotes Arnold to say that such critics develop " disinterested curiosity " by ...
... true critic is he who bears within himself the dreams , ideas and feelings of generations and can separate the grain from chaff by comparison . Gilbert quotes Arnold to say that such critics develop " disinterested curiosity " by ...
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson blank verse century characters Chaucer classical Coleridge comedy creative D. H. Lawrence dramatic Dryden emotions English Literary Criticism epic Essay expression F. R. Leavis faculty fancy feeling follow French genius give Greek Homer human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced prose reader reason regarded rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style sublime T. E. Hulme T. S. Eliot taste theory things thought tion Tragedy truth understand unity Wimsatt and Brooks words Wordsworth writers