Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 29 筆
第 260 頁
... rhyme too . In the Golden Age of English literature rhyme was used in dramatic as well as non - dramatic verses . And then Shakespeare perfected the blank verse as the form nearest to conversation and as such best suited for the stage ...
... rhyme too . In the Golden Age of English literature rhyme was used in dramatic as well as non - dramatic verses . And then Shakespeare perfected the blank verse as the form nearest to conversation and as such best suited for the stage ...
第 263 頁
... rhyme . Rhyme is unnatural in a play , because in dialogue that gives the impression of pre - meditation and not spontaneous speech . It is true that even blank verse cannot be spoken in nature by any- body extempore , but that is to be ...
... rhyme . Rhyme is unnatural in a play , because in dialogue that gives the impression of pre - meditation and not spontaneous speech . It is true that even blank verse cannot be spoken in nature by any- body extempore , but that is to be ...
第 264 頁
... rhyme is improper . Rhymed couplet also may be rendered as near prose as blank verse by using variations already mentioned . Then there will be less appearance of constraint . Some might say that it is unpracticable to make rhyme ...
... rhyme is improper . Rhymed couplet also may be rendered as near prose as blank verse by using variations already mentioned . Then there will be less appearance of constraint . Some might say that it is unpracticable to make rhyme ...
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson blank verse century characters Chaucer classical Coleridge comedy creative D. H. Lawrence dramatic Dryden emotions English Literary Criticism epic Essay expression F. R. Leavis faculty fancy feeling follow French genius give Greek Homer human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced prose reader reason regarded rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style sublime T. E. Hulme T. S. Eliot taste theory things thought tion Tragedy truth understand unity Wimsatt and Brooks words Wordsworth writers