Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 51 筆
第 2 頁
... readers are not free to assent as they do not understand . It is there that Aristotle looms above such critics as Horace , Boileau and the Neo - classicists , who became Aristotle's " Sectaries ” rather than true disciples , not being ...
... readers are not free to assent as they do not understand . It is there that Aristotle looms above such critics as Horace , Boileau and the Neo - classicists , who became Aristotle's " Sectaries ” rather than true disciples , not being ...
第 217 頁
... readers with a language which was invented and utttered by themselves only . Then whoever used metre " introduced less or more of this adulterated ́ phraseology " . He asked his readers to compare the passages of the Old and New ...
... readers with a language which was invented and utttered by themselves only . Then whoever used metre " introduced less or more of this adulterated ́ phraseology " . He asked his readers to compare the passages of the Old and New ...
第 232 頁
... readers or the audience understand . The question is , ' what sort of readers ? ' All readers are never of the same calibre . Their response would naturally depend on their background , their inborn sensitiveness , its development ...
... readers or the audience understand . The question is , ' what sort of readers ? ' All readers are never of the same calibre . Their response would naturally depend on their background , their inborn sensitiveness , its development ...
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson blank verse century characters Chaucer classical Coleridge comedy creative D. H. Lawrence dramatic Dryden emotions English Literary Criticism epic Essay expression F. R. Leavis faculty fancy feeling follow French genius give Greek Homer human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced prose reader reason regarded rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style sublime T. E. Hulme T. S. Eliot taste theory things thought tion Tragedy truth understand unity Wimsatt and Brooks words Wordsworth writers