Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 60 筆
第 9 頁
... produced when the events come as a surprise , being unexpected consequences of each other . " Even coincidences are most striking when they have an air of design " . Plots , which have taken into account these principles , and not the ...
... produced when the events come as a surprise , being unexpected consequences of each other . " Even coincidences are most striking when they have an air of design " . Plots , which have taken into account these principles , and not the ...
第 110 頁
... produced by real events " or those which " form the structure of his own mind , arise in him without the imme- diate ... produces , or feels to be pro- duced , in himself " . " The poet tries his best to identify his own feelings with ...
... produced by real events " or those which " form the structure of his own mind , arise in him without the imme- diate ... produces , or feels to be pro- duced , in himself " . " The poet tries his best to identify his own feelings with ...
第 160 頁
... producing " forms more real than living man " . Existing things are only the unfinished copies of the great archetypes produced by Art10 . Only Art can produce impossible perfections . " The only form of lying that is beyond reproach ...
... producing " forms more real than living man " . Existing things are only the unfinished copies of the great archetypes produced by Art10 . Only Art can produce impossible perfections . " The only form of lying that is beyond reproach ...
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson blank verse century characters Chaucer classical Coleridge comedy creative D. H. Lawrence dramatic Dryden emotions English Literary Criticism epic Essay expression F. R. Leavis faculty fancy feeling follow French genius give Greek Homer human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced prose reader reason regarded rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style sublime T. E. Hulme T. S. Eliot taste theory things thought tion Tragedy truth understand unity Wimsatt and Brooks words Wordsworth writers