Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 21 筆
第 14 頁
... interest , retarding the advance to the catastrophe ( Denouement ) giving intermittent relief . These add mass and dignity to the poem . Moreover , being in the narrative form many events simultaneously transacted can be presented which ...
... interest , retarding the advance to the catastrophe ( Denouement ) giving intermittent relief . These add mass and dignity to the poem . Moreover , being in the narrative form many events simultaneously transacted can be presented which ...
第 81 頁
... interest in existence . It is surely by the liveliness of the interest which he excites in existence , and not by the not by the class of subjects which he chooses , that we most fairly appreciate the genius or the life of life which is ...
... interest in existence . It is surely by the liveliness of the interest which he excites in existence , and not by the not by the class of subjects which he chooses , that we most fairly appreciate the genius or the life of life which is ...
第 226 頁
... interest that inspires his own novelty of form in verse , and backs up his explicit remarks upon poetic diction ; and it is this social interest which ( consciously or not ) the fuss was all about . It was not so much from lack of ...
... interest that inspires his own novelty of form in verse , and backs up his explicit remarks upon poetic diction ; and it is this social interest which ( consciously or not ) the fuss was all about . It was not so much from lack of ...
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson blank verse century characters Chaucer classical Coleridge comedy creative D. H. Lawrence dramatic Dryden emotions English Literary Criticism epic Essay expression F. R. Leavis faculty fancy feeling follow French genius give Greek Homer human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced prose reader reason regarded rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style sublime T. E. Hulme T. S. Eliot taste theory things thought tion Tragedy truth understand unity Wimsatt and Brooks words Wordsworth writers