Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 74 筆
第 33 頁
... idea of Tragedy being subject to the laws of poetry and not to the laws of history he took from Aristotle ( " It is not the function of the poet to relate what has happened , but what may happen " ) . From Horace he took the idea of ...
... idea of Tragedy being subject to the laws of poetry and not to the laws of history he took from Aristotle ( " It is not the function of the poet to relate what has happened , but what may happen " ) . From Horace he took the idea of ...
第 195 頁
... idea on which these two have taken opposite stands . Oscar Wilde regarded critics as artists , " the highest ... ideas in many likely and unlikely places , selected some and rejected others , and brooded over the most fruitful of these ...
... idea on which these two have taken opposite stands . Oscar Wilde regarded critics as artists , " the highest ... ideas in many likely and unlikely places , selected some and rejected others , and brooded over the most fruitful of these ...
第 196 頁
... idea with Coleridge's idea of secondary imagination and also Johnson's idea of genius , " Of genius , that power which constitutes a poet ; that quality with- out which judgment is cold , and knowledge is inert ; that energy which ...
... idea with Coleridge's idea of secondary imagination and also Johnson's idea of genius , " Of genius , that power which constitutes a poet ; that quality with- out which judgment is cold , and knowledge is inert ; that energy which ...
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson blank verse century characters Chaucer classical Coleridge comedy creative D. H. Lawrence dramatic Dryden emotions English Literary Criticism epic Essay expression F. R. Leavis faculty fancy feeling follow French genius give Greek Homer human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced prose reader reason regarded rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style sublime T. E. Hulme T. S. Eliot taste theory things thought tion Tragedy truth understand unity Wimsatt and Brooks words Wordsworth writers