Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 30 筆
第 8 頁
... follow . A middle is that which both supposes something to precede and requires something to follow " 13 . 14 Then the action imitated must have proper magnitude , i.e. , neither too short ( in which case the whole cannot be presented ...
... follow . A middle is that which both supposes something to precede and requires something to follow " 13 . 14 Then the action imitated must have proper magnitude , i.e. , neither too short ( in which case the whole cannot be presented ...
第 76 頁
... follow a well - marked path a path that neo - classicists marked out , following in their own way Aristotle , Horace and other predecessors ; Pope only allowed some amount of licence ( very likely under the influence of Longinus ) which ...
... follow a well - marked path a path that neo - classicists marked out , following in their own way Aristotle , Horace and other predecessors ; Pope only allowed some amount of licence ( very likely under the influence of Longinus ) which ...
第 77 頁
... follow Nature but " Nature advantageously dressed " . He wanted , in other words , to follow rules of the ancients which were only methodised Nature . Really speaking his stress was on form and language , which , under proper restraint ...
... follow Nature but " Nature advantageously dressed " . He wanted , in other words , to follow rules of the ancients which were only methodised Nature . Really speaking his stress was on form and language , which , under proper restraint ...
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson blank verse century characters Chaucer classical Coleridge comedy creative D. H. Lawrence dramatic Dryden emotions English Literary Criticism epic Essay expression F. R. Leavis faculty fancy feeling follow French genius give Greek Homer human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced prose reader reason regarded rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style sublime T. E. Hulme T. S. Eliot taste theory things thought tion Tragedy truth understand unity Wimsatt and Brooks words Wordsworth writers