Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 45 筆
第 200 頁
... effect of some literary effort on the readers ? Only when some effect is there , a critic tries to find the whys and where fores . The appreciation ( or otherwise ) by the general public or the critic comes first , and then the critical ...
... effect of some literary effort on the readers ? Only when some effect is there , a critic tries to find the whys and where fores . The appreciation ( or otherwise ) by the general public or the critic comes first , and then the critical ...
第 228 頁
... effect with five repetitions of ' never ' in a single line " . Again and again Saintsbury draws our attention to the inexplicable mystery of words in parti- cular setting . In a line of an early Shakespearian play , " The uncertain ...
... effect with five repetitions of ' never ' in a single line " . Again and again Saintsbury draws our attention to the inexplicable mystery of words in parti- cular setting . In a line of an early Shakespearian play , " The uncertain ...
第 237 頁
... effect should be " unambigous " . But though in parts The Wasteland excites poetic emotions , we never feel even the emotional unity , pointed out by Richards , and the quotations from foreign languages , including German and Sanskrit ...
... effect should be " unambigous " . But though in parts The Wasteland excites poetic emotions , we never feel even the emotional unity , pointed out by Richards , and the quotations from foreign languages , including German and Sanskrit ...
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson blank verse century characters Chaucer classical Coleridge comedy creative D. H. Lawrence dramatic Dryden emotions English Literary Criticism epic Essay expression F. R. Leavis faculty fancy feeling follow French genius give Greek Homer human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced prose reader reason regarded rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style sublime T. E. Hulme T. S. Eliot taste theory things thought tion Tragedy truth understand unity Wimsatt and Brooks words Wordsworth writers