Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 32 筆
第 163 頁
... creative " but " there has never been a creative age that has not been critical also " . He borrows a point from Arnold's " Func- tion of Criticism " ( Essays , First Series ) when he asserts that the soil was prepared in some measure ...
... creative " but " there has never been a creative age that has not been critical also " . He borrows a point from Arnold's " Func- tion of Criticism " ( Essays , First Series ) when he asserts that the soil was prepared in some measure ...
第 193 頁
... creative ' gift is ' higher ' than the critical . When one creative mind is better than another , the reason often is that the better is the more critical " 29 . I cannot resist the temptation of quoting a line of Horace in this ...
... creative ' gift is ' higher ' than the critical . When one creative mind is better than another , the reason often is that the better is the more critical " 29 . I cannot resist the temptation of quoting a line of Horace in this ...
第 195 頁
... creative than creation ” 36 . It is not an attempt " to see the object as it really is " . " There is nothing sane about the worship of beauty " and a true critic loves beauty . Oscar Wilde's inevitable conclusion was , " A critic ...
... creative than creation ” 36 . It is not an attempt " to see the object as it really is " . " There is nothing sane about the worship of beauty " and a true critic loves beauty . Oscar Wilde's inevitable conclusion was , " A critic ...
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson blank verse century characters Chaucer classical Coleridge comedy creative D. H. Lawrence dramatic Dryden emotions English Literary Criticism epic Essay expression F. R. Leavis faculty fancy feeling follow French genius give Greek Homer human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced prose reader reason regarded rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style sublime T. E. Hulme T. S. Eliot taste theory things thought tion Tragedy truth understand unity Wimsatt and Brooks words Wordsworth writers