Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 32 筆
第 116 頁
... called science " . Wordsworth , Coleridge and other romantics were feeling alarmed by the ever increasing encroachment of science , which would deaden human sensibilities . Novalis ( Friedrick Von Hardenberg ) in Germany declared that ...
... called science " . Wordsworth , Coleridge and other romantics were feeling alarmed by the ever increasing encroachment of science , which would deaden human sensibilities . Novalis ( Friedrick Von Hardenberg ) in Germany declared that ...
第 121 頁
... called taste . Those in whom this sense exists to excess are called poets . " The pleasure resulting from the manner in which they express the influence of society or nature upon their own minds , communicates itself to others " . Man ...
... called taste . Those in whom this sense exists to excess are called poets . " The pleasure resulting from the manner in which they express the influence of society or nature upon their own minds , communicates itself to others " . Man ...
第 272 頁
... called ' hornpipes and funerals ' so well as to produce a unity of impression even through contrast , juxtaposition and diversity . This has been called " Unity of Senti- ment " by T. S. Eliot , who points out that this is slightly ...
... called ' hornpipes and funerals ' so well as to produce a unity of impression even through contrast , juxtaposition and diversity . This has been called " Unity of Senti- ment " by T. S. Eliot , who points out that this is slightly ...
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson blank verse century characters Chaucer classical Coleridge comedy creative D. H. Lawrence dramatic Dryden emotions English Literary Criticism epic Essay expression F. R. Leavis faculty fancy feeling follow French genius give Greek Homer human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced prose reader reason regarded rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style sublime T. E. Hulme T. S. Eliot taste theory things thought tion Tragedy truth understand unity Wimsatt and Brooks words Wordsworth writers