Literature and CriticismBookland, 1963 - 287 頁 |
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第 27 頁
... ancient time .. Sidney pointed out that it was a mere guess about ancient days , " since no memory is so ancient that has the precedence of Poetry " .. The truth was otherwise ; Poetry had been always cherished . by men of action as ...
... ancient time .. Sidney pointed out that it was a mere guess about ancient days , " since no memory is so ancient that has the precedence of Poetry " .. The truth was otherwise ; Poetry had been always cherished . by men of action as ...
第 48 頁
... ancients were more hearty , we more talkative : they writ love as it was then the mode to make it " . If any of the great ancient poets lived now he might " accommodate himself to the age in which he lived " . It was then the turn of ...
... ancients were more hearty , we more talkative : they writ love as it was then the mode to make it " . If any of the great ancient poets lived now he might " accommodate himself to the age in which he lived " . It was then the turn of ...
第 259 頁
... Ancient and the Modern . His judicial approach to this controversial subject is remarkable . He explained that the Ancient way was to mark the quantity of each syllable and frame the verse accordingly . It was very fit for music as both ...
... Ancient and the Modern . His judicial approach to this controversial subject is remarkable . He explained that the Ancient way was to mark the quantity of each syllable and frame the verse accordingly . It was very fit for music as both ...
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson blank verse century characters Chaucer classical Coleridge comedy creative D. H. Lawrence dramatic Dryden emotions English Literary Criticism epic Essay expression F. R. Leavis faculty fancy feeling follow French genius give Greek Homer human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced prose reader reason regarded rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style sublime T. E. Hulme T. S. Eliot taste theory things thought tion Tragedy truth understand unity Wimsatt and Brooks words Wordsworth writers