Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 45 筆
第 131 頁
... Arnold which makes us feel the inevitable classical reaction to the romantic frenzy of half a century . Wimsatt and Brooks visualise Arnold as suddenly emerging as " the most imposing figure in English mid - Victorian criticism , not as ...
... Arnold which makes us feel the inevitable classical reaction to the romantic frenzy of half a century . Wimsatt and Brooks visualise Arnold as suddenly emerging as " the most imposing figure in English mid - Victorian criticism , not as ...
第 140 頁
Nitish K. Basu. matter ; for the poet a secondary matter . How Arnold finds morals in poetry is not clear " . " Arnold seems to think that because , as , he says , Wordsworth ' deals with more of life ' than ideas . A poetry which is ...
Nitish K. Basu. matter ; for the poet a secondary matter . How Arnold finds morals in poetry is not clear " . " Arnold seems to think that because , as , he says , Wordsworth ' deals with more of life ' than ideas . A poetry which is ...
第 143 頁
... Arnold could is the best evidence of taste " . He has admitted without reserve that in spite of the defects , " the critical method of Arnold , the assumptions of Arnold , remained valid for the rest of his century . In quite diverse ...
... Arnold could is the best evidence of taste " . He has admitted without reserve that in spite of the defects , " the critical method of Arnold , the assumptions of Arnold , remained valid for the rest of his century . In quite diverse ...
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson blank verse century characters Chaucer classical Coleridge comedy creative D. H. Lawrence dramatic Dryden emotions English Literary Criticism epic Essay expression F. R. Leavis faculty fancy feeling follow French genius give Greek Homer human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced prose reader reason regarded rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style sublime T. E. Hulme T. S. Eliot taste theory things thought tion Tragedy truth understand unity Wimsatt and Brooks words Wordsworth writers