Biographia Literaria, Or, Biographical Sketches of My Literary Life and Opinions
W. Pickering, 1847 - 804 頁
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according appear become believe body called cause character Christian Church Coleridge common concerning consequences considered contained direction distinct divine doctrine edition effect equally evidence existence express fact faith Father feelings former genius German give given ground hand heart human ideas imagination immediate important instance intellectual intelligence interest justified kind knowledge language latter least less light literary living look means mere mind moral nature never notion object observed once opinion original party passage perhaps persons philosophy poems poet position possible present principles produced published question reader reason received reference religion religious remains remarks Schelling seems sense soul speak spirit suppose things thought tion true truth understanding volume whole writings
第 151 頁 - For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan : Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
第 202 頁 - For nature then (The coarser pleasures of my boyish days, And their glad animal movements all gone by) To me was all in all. I cannot paint What then I was. The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.
第 155 頁 - Fair laughs the morn, and soft the zephyr blows While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
第 378 頁 - The Fancy is indeed no other than a mode of memory emancipated from the order of time and space ; and blended with, and modified by that empirical phenomenon of the will, which we express by the word choice.
第 146 頁 - English compositions (at least for the last three years of our school education) he showed no mercy to phrase, metaphor, or image, unsupported by a sound sense, or where the same sense might have been conveyed with equal force and dignity in plainer words. Lute, harp, and lyre, muse, muses, and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination to him.
第 378 頁 - I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate; or where this process is rendered impossible, yet still at all events it Struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.
第 378 頁 - The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM.
第 262 頁 - Mystics acted in no slight degree to prevent my mind from being imprisoned within the outline of any single dogmatic system. They contributed to keep alive the heart in the head ; gave me an indistinct, yet stirring and working presentiment, that all the products of the mere reflective faculty partook of death...
第 165 頁 - Of old things all are over old, Of good things none are good enough : — We'll show that we can help to frame A world of other stuff! " I, too, will have my kings that take From me the sign of life and death : Kingdoms shall shift about, like clouds, Obedient to my breath.
第 234 頁 - A case of this kind occurred in a Roman Catholic town in Germany a year or two before my arrival at Gottingen,i3 and had not then ceased to be a frequent subject of conversation. A young woman of four or five and twenty, who could neither read nor write...