Romanticism Across the DisciplinesLarry H. Peer University Press of America, 1998 - 263 頁 Romanticism Across the Disciplines brings together thirteen essays written by prominent scholars from America and abroad to identify Romanticism's presence outside of one national tradition or a single discourse field. These scholars point out the relationship between Romanticism and the problems of history, the interpretation of the arts, science, philosophy, and culture. They show how the ideas and effects of Romanticism have entered every field of study through their place in life. The presence of many different approaches to Romanticism demonstrate its diversity as a philosophy and provide an opportunity for a wide, deep understanding of Romanticism and its place in the world. |
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第 1 到 3 筆結果,共 55 筆
第 64 頁
... aesthetic production . Philosophy starts out from an infinite dichotomy of opposed activities ; but all aesthetic production rests on the same dichotomy , which later is completely resolved by each artistic representation . ) That which ...
... aesthetic production . Philosophy starts out from an infinite dichotomy of opposed activities ; but all aesthetic production rests on the same dichotomy , which later is completely resolved by each artistic representation . ) That which ...
第 156 頁
... aesthetic views in the following manner : Frenhofer , peintre visionnaire , se fait le porte - parole d'une esthétique anti- réaliste et surnaturaliste , se refusant à considérer l'oeuvre d'art comme la reproduction de la nature . L ...
... aesthetic views in the following manner : Frenhofer , peintre visionnaire , se fait le porte - parole d'une esthétique anti- réaliste et surnaturaliste , se refusant à considérer l'oeuvre d'art comme la reproduction de la nature . L ...
第 232 頁
... aesthetic cre- ation and pleasure ? The necessary objectification of human experience out of which a work of art is formed seems particularly troubling when the experience in question is pain . Both Danto and the Wanderer can only ...
... aesthetic cre- ation and pleasure ? The necessary objectification of human experience out of which a work of art is formed seems particularly troubling when the experience in question is pain . Both Danto and the Wanderer can only ...
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aesthetic argues artistic artwork Balzac Baudelaire beautiful become Byron Catherine century chapter concept Conciliatore contemporary context critical culture Cuvier daguerreotype discourse essay experience expression fact fictions French Frenhofer Frenhofer's Geoffroy Geoffroy's German gesture Goethe Goethe's Hegel Henri Herder human ideal ideas ideological Il Conciliatore imagination Italian Italy James Macpherson Joanna Baillie language Leopardi literary literature Mabuse Mabuse's Macpherson Madame de Staël Margaret's metaphors metaphysical mimesis moral morphology museum Napoleon narrative narrator nation nature Naturphilosophie nineteenth-century novel object Ossian painting passion philosophy photography Poe's poem poetic poetry poets political Porbus Porbus's postmodern Poussin Prometheus Quatremère Quatremère's question reading Risorgimento Robert Southey role Romantic Romanticism Schlegel secret sense Silvio Pellico social sounds Southey Southey's spirit Stendhal story sublime suggests theodicy theory tion tradition translation unity University Press Venice Villanelle Villanelle's Visconti vols Wanderer Wanderer's Winterson's Wordsworth writes York