Essays on the Study and Use of Poetry by Plutarch and Basil the GreatFrederick Morgan Padelford H. Holt, 1902 - 136 頁 |
搜尋書籍內容
第 1 到 5 筆結果,共 5 筆
第 71 頁
... Cleanthes compare Diogenes Laertius vii . 89 ; Cicero , Tusculanae Disputationes iv . 34 ; Stobaeus , Anthologium ii . 8 Nauck 529 . Il . xx . 242. L. L. and M. read valour . honour upon wealth attend ; " 1 let him not 71 How to Study ...
... Cleanthes compare Diogenes Laertius vii . 89 ; Cicero , Tusculanae Disputationes iv . 34 ; Stobaeus , Anthologium ii . 8 Nauck 529 . Il . xx . 242. L. L. and M. read valour . honour upon wealth attend ; " 1 let him not 71 How to Study ...
第 85 頁
... Cleanthes suggests , who , in such pas- sages as Ζευ πάτερ Ιδηθεν μεδέων ( Zeus ruling from Ida ) , and Zeû ǎva ... Cleanthes , and was distinguished for his skill in dialectics and his subtlety as a disputant . He once said to Cleanthes ...
... Cleanthes suggests , who , in such pas- sages as Ζευ πάτερ Ιδηθεν μεδέων ( Zeus ruling from Ida ) , and Zeû ǎva ... Cleanthes , and was distinguished for his skill in dialectics and his subtlety as a disputant . He once said to Cleanthes ...
第 88 頁
... Cleanthes and Antisthenes are not without value . For , seeing the Athe- nians in an uproar in the theatre because of these words , ' What is base save to those who take it so ? " Antisthenes straightway objected , ' The base is base ...
... Cleanthes and Antisthenes are not without value . For , seeing the Athe- nians in an uproar in the theatre because of these words , ' What is base save to those who take it so ? " Antisthenes straightway objected , ' The base is base ...
第 122 頁
... Cleanthes ( ñερì тov ñointоv — Concerning the Poet ) , and of Chrysippus ( περὶ τοῦ πῶς δεῖ τῶν ποιημάτων ἀκούειν — How One Should Study Poetry ) . The latter part of chapter XI ( 85. 24-87 . 17 ) is based on Zeno's dis- cussion of the ...
... Cleanthes ( ñερì тov ñointоv — Concerning the Poet ) , and of Chrysippus ( περὶ τοῦ πῶς δεῖ τῶν ποιημάτων ἀκούειν — How One Should Study Poetry ) . The latter part of chapter XI ( 85. 24-87 . 17 ) is based on Zeno's dis- cussion of the ...
第 127 頁
... Cleanthes , fanciful etymologies of , 85 ; biographical notice of , 85 ; c . or q . , 71 , 88 , 122 , 123 . Cleinias , anecdote of , III ; biographical notice of , III . Clement , St. , of Alexandria , Greek philosophy appreciated by ...
... Cleanthes , fanciful etymologies of , 85 ; biographical notice of , 85 ; c . or q . , 71 , 88 , 122 , 123 . Cleinias , anecdote of , III ; biographical notice of , III . Clement , St. , of Alexandria , Greek philosophy appreciated by ...
其他版本 - 查看全部
常見字詞
Achilles action admiration Aeschylus Agamemnon anger Antisthenes Aristophanes Aristotle artistic Athens base Basil beautiful Bergk better body called character CHARLES GROSVENOR OSGOOD charm Christian Chrysippus Cicero classical Cleanthes deceived deeds Diogenes divine doctrines emotion essay on poetry Euripides excellence expression fear fiction Fortune give Gnosticism gods Greek literature Greek philosophers Gregory Hector Hesiod Homer Ibid imitative art Introd judgment learning lest Meineke Menander ment mind moral nature Nauck Odys Odysseus one's pagan painting passages passion Peripatetic Ph.D Phaeacians philosophy Plato pleasure Plutarch Plutarch's theory poem poet poetic poetry praise precept Pythagoras reason relation of poetry render reproach riches says Schlemm Scriptures self-control sentiments Socrates Sophocles soul Stoics study of poetry Study Poetry Symposiacs teach thee Thersites things thou thought tragedy translation Trojans truth utter verses viii virtue wealth Wherefore wisdom wise wont words writings youth Zeus καὶ
熱門章節
第 72 頁 - Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative ; through pity and fear effecting the proper purgation of these emotions.
第 52 頁 - For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action, and its end is a mode of action, not a quality. Now character determines men's qualities, but it is by their actions that they are happy or the reverse.
第 20 頁 - Poetry in general seems to have sprung from two causes, each of them lying deep in our nature. First, the instinct of imitation is implanted in man from childhood, one difference between him and other animals being that he is the most imitative of living creatures, and through imitation learns his earliest lessons; and no less universal is the pleasure felt in things imitated.
第 60 頁 - I became, to my best memory, so much a proficient that if I found those authors anywhere speaking unworthy things of themselves, or unchaste of those names which before they had extolled, this effect it wrought with me; from that time forward their art I still applauded, but the men I deplored...
第 53 頁 - Poetry, therefore, is a more philosophical and a higher thing than history, for poetry tends to express the universal, history the particular. By the universal, I mean how a person of a certain type will on occasion speak or act, according to the law of probability or necessity; and it is this universality at which poetry aims in the names she attaches to the personages.
第 28 頁 - And when the boy has learned his letters, and is beginning to understand what is written, as before he understood only what was spoken, they put into his hands the works of great poets, which he reads...
第 21 頁 - Again, since Tragedy is an imitation of persons who are above the common level, the example of good portrait-painters should be followed. They, while reproducing the distinctive form of the original, make a likeness which is true to life and yet more beautiful.
第 19 頁 - ... how shall we answer the divine men? I think that our answer should be as follows: — Best of strangers, we will say to them, we also according to our ability are tragic poets, and our tragedy is the best and noblest; for our whole state is an imitation of the best and noblest life, which we affirm to be indeed the very truth of tragedy.