Oral InterpretationHoughton Mifflin, 1952 - 596页 |
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共有 78 个结果，这是第 1-3 个
第343页
... play . A poet with a job in a warehouse . His nature is not remorseless , but to escape from a trap he has to act without pity . " The playwright includes several pages of pro- duction notes and a setting for the first scene which leave ...
... play . A poet with a job in a warehouse . His nature is not remorseless , but to escape from a trap he has to act without pity . " The playwright includes several pages of pro- duction notes and a setting for the first scene which leave ...
第348页
... plays which reveal individual traits in their characters ; plays whose development and climax depend upon a clear communication of those individualities . After thorough examination of the play as a whole and of the parts which make up ...
... plays which reveal individual traits in their characters ; plays whose development and climax depend upon a clear communication of those individualities . After thorough examination of the play as a whole and of the parts which make up ...
第382页
... play . PRESENTING THE CAST When an audience enters a theater to watch a play , each person is provided with a printed program which lists the members of the cast , usually in the order of their appearance . When an inter- preter is doing a ...
... play . PRESENTING THE CAST When an audience enters a theater to watch a play , each person is provided with a printed program which lists the members of the cast , usually in the order of their appearance . When an inter- preter is doing a ...
目录
What Is Oral Interpretation? ය | 3 |
Selection and Evaluation of Material | 13 |
Analysis Preparation and Presentation of Material | 51 |
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常见术语和短语
achieve action analysis appeal aspects attention attitude audience aware BRACK breath BRINK Carl Sandburg character climax complete Copyright CREON Culverin drama emotional example excerpt eyes factors feeling free verse give GRAMPS hand HEDDA Hedda Gabler imagery important inter interpreter's Lady Lin Yutang line-length listeners literary logical looked lyric MARY CLEOPHAS material meaning mental mind MISS TESMAN muscles narration narrative night oral interpretation paragraph pattern pause permission person physical pitch play poem poet poetry preter problem prose reader relaxation remember response rhyme rhythm Richard Cory Robert Frost scene selection sense sentence sound speech phrases stage directions stanza Stephen Vincent Benét stress structure suggestion syllable T. S. Eliot technique tension thee thing thou thought Tibault tion Tommy Tommy Brooks tone Toombs County verse VINNIE vocal voice vowel Walter Mitty words writing