Mind in Character: Shakespeare's Speaker in the SonnetsUniversity of Missouri Press, 1987 - 195 頁 "This book is about poetry rather than theory. Shakespeare's poetry, I find, remains more relevant and more rewarding than any theory, however elaborate, as to who, if anyone, should read a text and, if so, how they should do it. In other words, I do not intend another prolegomena for future studies of the reader in the text and/ or the text in the reader. I simply have written what I think the sonnets are about, what they say and how they say it. I do not attempt to speak for "the reader," as I know little about him or her, but only for myself. What interests me especially is the behavior of Shakespeare's sonnet-speaker, the coherent psychological entity projected by the speaking voice in these poems. I do not identify that speaker with the historical William Shakespeare, knowing scarcely more about him than about "the reader."--Preface. |
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第 1 到 3 筆結果,共 57 筆
第 28 頁
... structure stems from the assimilation of the anecdote that it thoroughly transforms . The youth has replaced Sulla , being warned of his decline , while the speaker takes on something of Pompey's superior strength . Admittedly , the ...
... structure stems from the assimilation of the anecdote that it thoroughly transforms . The youth has replaced Sulla , being warned of his decline , while the speaker takes on something of Pompey's superior strength . Admittedly , the ...
第 51 頁
... structure of the quatrain proves significant , revealing that the poet achieves an exact symmetry in the arrangement of both images . Lines 2 and 4 have a close parallelism : " Who with his fear is put besides his part " and " whose ...
... structure of the quatrain proves significant , revealing that the poet achieves an exact symmetry in the arrangement of both images . Lines 2 and 4 have a close parallelism : " Who with his fear is put besides his part " and " whose ...
第 89 頁
... structure . In setting forth a sharp contrast , it usually effects an evaluation of the two opposing terms . Thus many of the most basic antitheses , such as light / dark and up / down , have acquired moral connotations . The ...
... structure . In setting forth a sharp contrast , it usually effects an evaluation of the two opposing terms . Thus many of the most basic antitheses , such as light / dark and up / down , have acquired moral connotations . The ...
常見字詞
action appears argument attempt auditor awareness beauty becomes begins beloved called claims closing comparison concern concludes continues contrast corresponds couplet creates criticism defined described dialogue direct earlier effect entire evil example experience expression eyes fair false feelings final follows four gives heart human idea ideal imagery implies ironic irony lack lady leads less lines linked live looks marks meaning merely mind mode moral nature never object observation once opening pattern phrase poem poetic poetry praise present procreation pronouns quatrain question reference reflects relation remains result rhetorical seems seen sense sequence serves Shakespeare's Shakespeare's Sonnets single soliloquy sonnet 63 speaker speaking statement structure suggests thee theme things thou thought throughout tion true turning verb woman youth