Mind in Character: Shakespeare's Speaker in the SonnetsUniversity of Missouri Press, 1987 - 195 頁 "This book is about poetry rather than theory. Shakespeare's poetry, I find, remains more relevant and more rewarding than any theory, however elaborate, as to who, if anyone, should read a text and, if so, how they should do it. In other words, I do not intend another prolegomena for future studies of the reader in the text and/ or the text in the reader. I simply have written what I think the sonnets are about, what they say and how they say it. I do not attempt to speak for "the reader," as I know little about him or her, but only for myself. What interests me especially is the behavior of Shakespeare's sonnet-speaker, the coherent psychological entity projected by the speaking voice in these poems. I do not identify that speaker with the historical William Shakespeare, knowing scarcely more about him than about "the reader."--Preface. |
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第 1 到 3 筆結果,共 32 筆
第 99 頁
... mode is entirely imper- sonal , inasmuch as it excludes both " I " and " thou " pronouns while permit- ting only those of the third person . It presents poetic themes and imagery in their most abstract form . The second mode admits ...
... mode is entirely imper- sonal , inasmuch as it excludes both " I " and " thou " pronouns while permit- ting only those of the third person . It presents poetic themes and imagery in their most abstract form . The second mode admits ...
第 101 頁
... mode of address , by admitting " thou " or " you " while excluding “ I , ” has taken the first small step away from impersonality . This mode can be termed " self - effacing " because the speaker seems oblivious of his own existence ...
... mode of address , by admitting " thou " or " you " while excluding “ I , ” has taken the first small step away from impersonality . This mode can be termed " self - effacing " because the speaker seems oblivious of his own existence ...
第 105 頁
... mode of address , inverts this self - effacing mode and serves ( as we have seen ) primarily as a vehicle of introspection . What needs to be recognized now is that this mode plays a relatively minor role in Shake- speare's sonnets , in ...
... mode of address , inverts this self - effacing mode and serves ( as we have seen ) primarily as a vehicle of introspection . What needs to be recognized now is that this mode plays a relatively minor role in Shake- speare's sonnets , in ...
常見字詞
action appears argument attempt auditor awareness beauty becomes begins beloved called claims closing comparison concern concludes continues contrast corresponds couplet creates criticism defined described dialogue direct earlier effect entire evil example experience expression eyes fair false feelings final follows four gives heart human idea ideal imagery implies ironic irony lack lady leads less lines linked live looks marks meaning merely mind mode moral nature never object observation once opening pattern phrase poem poetic poetry praise present procreation pronouns quatrain question reference reflects relation remains result rhetorical seems seen sense sequence serves Shakespeare's Shakespeare's Sonnets single soliloquy sonnet 63 speaker speaking statement structure suggests thee theme things thou thought throughout tion true turning verb woman youth