Mind in Character: Shakespeare's Speaker in the SonnetsUniversity of Missouri Press, 1987 - 195 頁 "This book is about poetry rather than theory. Shakespeare's poetry, I find, remains more relevant and more rewarding than any theory, however elaborate, as to who, if anyone, should read a text and, if so, how they should do it. In other words, I do not intend another prolegomena for future studies of the reader in the text and/ or the text in the reader. I simply have written what I think the sonnets are about, what they say and how they say it. I do not attempt to speak for "the reader," as I know little about him or her, but only for myself. What interests me especially is the behavior of Shakespeare's sonnet-speaker, the coherent psychological entity projected by the speaking voice in these poems. I do not identify that speaker with the historical William Shakespeare, knowing scarcely more about him than about "the reader."--Preface. |
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第 1 到 3 筆結果,共 32 筆
第 13 頁
... imagery that grows immediately out of the speaker's sustained and accurate perception . Such imagery tends to be metonymic , creating less noticeable interconnections than do metaphors . Sonnet 12 embodies in its structure all the ...
... imagery that grows immediately out of the speaker's sustained and accurate perception . Such imagery tends to be metonymic , creating less noticeable interconnections than do metaphors . Sonnet 12 embodies in its structure all the ...
第 19 頁
... imagery of the second quatrain . Its purpose is to restore perfection to the ideal image of the youth . But there is no reference to the writing of poetry or to any aspect of ordinary reality , as the engrafting takes place within the ...
... imagery of the second quatrain . Its purpose is to restore perfection to the ideal image of the youth . But there is no reference to the writing of poetry or to any aspect of ordinary reality , as the engrafting takes place within the ...
第 70 頁
... imagery of sonnet 63 were reversed in 64 , the following sonnet also effects a continuation and a change . Sonnet 65 begins with a resonant summation of previous themes and imagery : Since brass , nor stone , nor earth , nor boundless ...
... imagery of sonnet 63 were reversed in 64 , the following sonnet also effects a continuation and a change . Sonnet 65 begins with a resonant summation of previous themes and imagery : Since brass , nor stone , nor earth , nor boundless ...
常見字詞
action appears argument attempt auditor awareness beauty becomes begins beloved called claims closing comparison concern concludes continues contrast corresponds couplet creates criticism defined described dialogue direct earlier effect entire evil example experience expression eyes fair false feelings final follows four gives heart human idea ideal imagery implies ironic irony lack lady leads less lines linked live looks marks meaning merely mind mode moral nature never object observation once opening pattern phrase poem poetic poetry praise present procreation pronouns quatrain question reference reflects relation remains result rhetorical seems seen sense sequence serves Shakespeare's Shakespeare's Sonnets single soliloquy sonnet 63 speaker speaking statement structure suggests thee theme things thou thought throughout tion true turning verb woman youth