Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 28 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果，共 84 筆
第 50 頁
... women by allowing Rosalind to rewrite the fictions which seem to surround her . " In doing so she opens the play world to the women in the audience . The Orlando Furioso predicates female cruelty as a spur to male desire . Shakespeare's ...
... women by allowing Rosalind to rewrite the fictions which seem to surround her . " In doing so she opens the play world to the women in the audience . The Orlando Furioso predicates female cruelty as a spur to male desire . Shakespeare's ...
第 51 頁
... women , as Harington had offered women readers of his Orlando , the opportu- nity to rewrite the record . The implied accusation , that the Queen had not rewritten the male narrative , nor cre- ated fictions of sexuality which could ...
... women , as Harington had offered women readers of his Orlando , the opportu- nity to rewrite the record . The implied accusation , that the Queen had not rewritten the male narrative , nor cre- ated fictions of sexuality which could ...
第 85 頁
... women's friendship is sub- ordinated while male bonds are reaffirmed ( ties between brothers and between suitor and father ) . Especially given the use of a male actor to boy Rosalind's greatness , crit- ics have seen the play as ...
... women's friendship is sub- ordinated while male bonds are reaffirmed ( ties between brothers and between suitor and father ) . Especially given the use of a male actor to boy Rosalind's greatness , crit- ics have seen the play as ...
內容
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 個其他區段未顯示
常見字詞
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York