Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 28 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果，共 87 筆
第 85 頁
... woman who talks too much , who develops a kind of female eloquence in order to extend her power ) , the flighty , changeable woman with no constancy , and the woman who cheats her husband ( especially sexually ) .14 The allusions to ...
... woman who talks too much , who develops a kind of female eloquence in order to extend her power ) , the flighty , changeable woman with no constancy , and the woman who cheats her husband ( especially sexually ) .14 The allusions to ...
第 86 頁
... woman that cannot make her fault her husband's occasion , let her never nurse her child herself , for she will breed it like a fool . ( 4.1.157-67 ) The excuse that Rosalind puts in this imagined woman's mouth works in two quite ...
... woman that cannot make her fault her husband's occasion , let her never nurse her child herself , for she will breed it like a fool . ( 4.1.157-67 ) The excuse that Rosalind puts in this imagined woman's mouth works in two quite ...
第 87 頁
... woman s / he enacts is never to be only a woman , while to the extent that she becomes fully a woman in the conclusion , her erotic performance cannot be seen as successfully apotropaic . As You Like It can perhaps be distinguished in ...
... woman s / he enacts is never to be only a woman , while to the extent that she becomes fully a woman in the conclusion , her erotic performance cannot be seen as successfully apotropaic . As You Like It can perhaps be distinguished in ...
內容
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 個其他區段未顯示
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York