Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 28 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果,共 84 筆
第 65 頁
... seems incapa- ble of gathering even a scrap of their language . Each figure has the faults of his country , and Portia ends her comic analysis with the drunken German , telling Nerissa . in mock horror , " I will do any thing , Nerissa ...
... seems incapa- ble of gathering even a scrap of their language . Each figure has the faults of his country , and Portia ends her comic analysis with the drunken German , telling Nerissa . in mock horror , " I will do any thing , Nerissa ...
第 124 頁
... seems to be that they are attempting an ejaculation contest with their fathers . Hence , his descrip- tion of the French - English rivalry points interestingly at a fact the English seem carefully to repress - that their re- moter ...
... seems to be that they are attempting an ejaculation contest with their fathers . Hence , his descrip- tion of the French - English rivalry points interestingly at a fact the English seem carefully to repress - that their re- moter ...
第 358 頁
... seems , moreover , open to query since the reader could object that its truth is incomplete . The mockexplanatory ... seems to be a failed Venus Victrix ; more important , the Venus Victrix motif itself as an emblem of Love's ...
... seems , moreover , open to query since the reader could object that its truth is incomplete . The mockexplanatory ... seems to be a failed Venus Victrix ; more important , the Venus Victrix motif itself as an emblem of Love's ...
內容
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York