Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 28 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果，共 84 筆
第 2 頁
... marriage : ' Having been three months married to her , sit- ting in my state- . . . Calling my officers about me , in my branched velvet gown , having come from a day - bed where I have left Olivia sleeping . ' Dreams of power and ...
... marriage : ' Having been three months married to her , sit- ting in my state- . . . Calling my officers about me , in my branched velvet gown , having come from a day - bed where I have left Olivia sleeping . ' Dreams of power and ...
第 43 頁
... marriage is sinful rather than mar- ital , its function of diverting fornication into marriage would seem to have been preempted . In social terms desire is much more threatening in Mea- sure for Measure than it had been in All's Well ...
... marriage is sinful rather than mar- ital , its function of diverting fornication into marriage would seem to have been preempted . In social terms desire is much more threatening in Mea- sure for Measure than it had been in All's Well ...
第 85 頁
... marriage pattern in which the women's friendship is sub- ordinated while male bonds are reaffirmed ( ties between brothers and between suitor and father ) . Especially given the use of a male actor to boy Rosalind's greatness , crit ...
... marriage pattern in which the women's friendship is sub- ordinated while male bonds are reaffirmed ( ties between brothers and between suitor and father ) . Especially given the use of a male actor to boy Rosalind's greatness , crit ...
內容
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 個其他區段未顯示
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York