Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 28 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果，共 89 筆
第 86 頁
... figure of female power , whose souls were said to leave their houses through the windows or chimneys , spending the night far from their bodies . Here , however , the wit of the passage turns on whether the body is imagined to follow ...
... figure of female power , whose souls were said to leave their houses through the windows or chimneys , spending the night far from their bodies . Here , however , the wit of the passage turns on whether the body is imagined to follow ...
第 181 頁
... figure charged with upholding the patriarchal principle that Richard at once incarnates and flouts . Though his divided allegiance makes him a potentially tragic figure , York remains curiously comical . He gives a clue to the ...
... figure charged with upholding the patriarchal principle that Richard at once incarnates and flouts . Though his divided allegiance makes him a potentially tragic figure , York remains curiously comical . He gives a clue to the ...
第 433 頁
... figure 4 : 506 , 525 , 573 culpability 4 : 408 , 415 , 422 , 427 ; 13 : 313 ; 19 : 253 , 276 as a mother figure 22 : 339 passive or timorous nature 4 : 402 , 406 , 421 , 440 , 457 , 470 , 582 , 587 ; 25 : 189 spiritual nature of her ...
... figure 4 : 506 , 525 , 573 culpability 4 : 408 , 415 , 422 , 427 ; 13 : 313 ; 19 : 253 , 276 as a mother figure 22 : 339 passive or timorous nature 4 : 402 , 406 , 421 , 440 , 457 , 470 , 582 , 587 ; 25 : 189 spiritual nature of her ...
內容
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 個其他區段未顯示
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York