Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 28 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果，共 24 筆
第 204 頁
... festive prank is appre- ciated without calling the satirical subtext to mind . The Chamberlain's reply to Gadshill , " What , the common- wealth their boots ? Will she hold out water in foul way ? " while it continues the high ...
... festive prank is appre- ciated without calling the satirical subtext to mind . The Chamberlain's reply to Gadshill , " What , the common- wealth their boots ? Will she hold out water in foul way ? " while it continues the high ...
第 207 頁
... festive meaning , and appeals to what Thomas Cartelli calls playgoers ' " transgressive desire , " a major source of the success of plays like Marlowe's Tambur- laine ( Cartelli , pp . 67-93 ) . Falstaff smirkingly confesses that he is ...
... festive meaning , and appeals to what Thomas Cartelli calls playgoers ' " transgressive desire , " a major source of the success of plays like Marlowe's Tambur- laine ( Cartelli , pp . 67-93 ) . Falstaff smirkingly confesses that he is ...
第 215 頁
... festive response to the Coventry Scene could there- fore move toward a vision of community even as it also exposed one to ambivalent festive laughter at one's own involvement in actions that had weakened such an alli- ance . Such could ...
... festive response to the Coventry Scene could there- fore move toward a vision of community even as it also exposed one to ambivalent festive laughter at one's own involvement in actions that had weakened such an alli- ance . Such could ...
內容
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York