Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 28 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果,共 82 筆
第 109 頁
... dramatic action text , language ... script , speech ... events , bodies , performance inward wars grief terrors unknown fear " some other " within stern tyrant War grievances trifles seeming knowledge external manners , trappings ...
... dramatic action text , language ... script , speech ... events , bodies , performance inward wars grief terrors unknown fear " some other " within stern tyrant War grievances trifles seeming knowledge external manners , trappings ...
第 187 頁
... dramatic tension , validated by the intense aware- ness in most audiences of the doom which hangs over every important character . We continually sense the dis- crepancy between , on the one hand , the surface display of a flamboyant ...
... dramatic tension , validated by the intense aware- ness in most audiences of the doom which hangs over every important character . We continually sense the dis- crepancy between , on the one hand , the surface display of a flamboyant ...
第 309 頁
... Dramatic Sources , 2 : 195-96 . 9 I quote The True Chronicle Historie from Bullough , Narrative and Dramatic Sources , 7 : 337-402 . The num- bers in parentheses refer to scene and line numbers in Bullough's text . 10 Bullough ...
... Dramatic Sources , 2 : 195-96 . 9 I quote The True Chronicle Historie from Bullough , Narrative and Dramatic Sources , 7 : 337-402 . The num- bers in parentheses refer to scene and line numbers in Bullough's text . 10 Bullough ...
內容
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York