Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 28 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果，共 85 筆
第 21 頁
... become the case . It thus bears on uncertainty . Moreover , it alludes to the uncom- pleted past , not as the missing contents of its story , but as the unpresentable , the conceivable which cannot be made present . Such presentation is ...
... become the case . It thus bears on uncertainty . Moreover , it alludes to the uncom- pleted past , not as the missing contents of its story , but as the unpresentable , the conceivable which cannot be made present . Such presentation is ...
第 33 頁
... become the romantic axiom for the eroticized feminine object . The speech thus marks a clear historical point at which womanhood has been reconceived into the erotic fantasy of exquisitely helpless fragility , of having a body that is ...
... become the romantic axiom for the eroticized feminine object . The speech thus marks a clear historical point at which womanhood has been reconceived into the erotic fantasy of exquisitely helpless fragility , of having a body that is ...
第 213 頁
... becoming is celebrated . Falstaff and his recruits form an inseparable , symbolic whole of plenty and pen- ury and it is the ritual role of Lenten Hal to point this out . So whereas Falstaff's soldier " rascals " ( lean young deer ) become ...
... becoming is celebrated . Falstaff and his recruits form an inseparable , symbolic whole of plenty and pen- ury and it is the ritual role of Lenten Hal to point this out . So whereas Falstaff's soldier " rascals " ( lean young deer ) become ...
內容
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 個其他區段未顯示
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York