Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 28 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果，共 97 筆
第 126 頁
... Henry refers his future is a written one , and that its " full mouth " is only metaphorically able to " speak freely . " But as the play progresses , and as Henry's concern with inculcating his epic into his cul- ture's memory increases ...
... Henry refers his future is a written one , and that its " full mouth " is only metaphorically able to " speak freely . " But as the play progresses , and as Henry's concern with inculcating his epic into his cul- ture's memory increases ...
第 127 頁
... Henry who self- consciously does just that , taking on the bearing of a soon- to - be - mythic hero . And yet there is also a certain tension , as well as symbi- osis , between the play's creation of Henry and Henry's creation of ...
... Henry who self- consciously does just that , taking on the bearing of a soon- to - be - mythic hero . And yet there is also a certain tension , as well as symbi- osis , between the play's creation of Henry and Henry's creation of ...
第 156 頁
... Henry's glorious exploits , " spurs the audience to exercise political judg- ment , requiring them to re - evaluate Henry's conduct ( Larry Champion , " The Noise of Threatening Drum " : Dramatic Strategy and Political Ideology in ...
... Henry's glorious exploits , " spurs the audience to exercise political judg- ment , requiring them to re - evaluate Henry's conduct ( Larry Champion , " The Noise of Threatening Drum " : Dramatic Strategy and Political Ideology in ...
內容
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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