Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 28 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果，共 24 筆
第 247 頁
... Desdemona , he now justly executes the worse part - Iago's - in himself , in his own way , himself the kisser and the kissed , honour following honesty in death , his life upon her faith . Othello rises by his fall- ing , if his tragic ...
... Desdemona , he now justly executes the worse part - Iago's - in himself , in his own way , himself the kisser and the kissed , honour following honesty in death , his life upon her faith . Othello rises by his fall- ing , if his tragic ...
第 267 頁
... Desdemona is condemned for no more and no less than the audacity of having desired him . The virginal image of Desdemona is exploded by another image of Desdemona as ' that cun- ning whore of Venice / That married with Othello ' ( 4.2 ...
... Desdemona is condemned for no more and no less than the audacity of having desired him . The virginal image of Desdemona is exploded by another image of Desdemona as ' that cun- ning whore of Venice / That married with Othello ' ( 4.2 ...
第 329 頁
... Desdemona's death is a fait accompli , which means that we are more or less subconsciously prepared for it from the initial lines of the final scene . Othello's smothering of her , therefore , whatever pity it may arouse in our hearts ...
... Desdemona's death is a fait accompli , which means that we are more or less subconsciously prepared for it from the initial lines of the final scene . Othello's smothering of her , therefore , whatever pity it may arouse in our hearts ...
內容
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York