Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 28 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果,共 14 筆
第 356 頁
... Adonis is not only very young and inexperienced but very reluctant as well ; it seems likelier , though , that in her urgency she just pays too little attention to those things . Whatever the case , her speech implies that she is both a ...
... Adonis is not only very young and inexperienced but very reluctant as well ; it seems likelier , though , that in her urgency she just pays too little attention to those things . Whatever the case , her speech implies that she is both a ...
第 358 頁
... Adonis ' death . Although other aspects of Shakespeare's Venus in rela- tion to conventional representations of the goddess still remain to be examined , for example , the link between her and Venus Meretrix ( Venus the Prostitute ; see ...
... Adonis ' death . Although other aspects of Shakespeare's Venus in rela- tion to conventional representations of the goddess still remain to be examined , for example , the link between her and Venus Meretrix ( Venus the Prostitute ; see ...
第 360 頁
... Adonis has left ( lines 811ff . ) . In that latter part of the poem , however , it does not primarily indicate Venus ' continued , personal discov- ery of how humans experience unrequited love ; rather , it chiefly suggests her personal ...
... Adonis has left ( lines 811ff . ) . In that latter part of the poem , however , it does not primarily indicate Venus ' continued , personal discov- ery of how humans experience unrequited love ; rather , it chiefly suggests her personal ...
內容
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York