The Works of Alexander Pope, Esq: In Nine Volumes Complete, with His Last Corrections, Additions, and Improvements, as They Were Delivered to the Editor a Little Before His Death, Together with the Commentary and Notes of Mr. Warburton, 第 1 卷A. Millar, J. and R. Tonson, C. Bathurst, R. Baldwin, W. Johnston, J. Richardson, B. Law, S. Crowder, T. Longman, T. Field, and T. Caslon, 1760 |
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第 xlv 頁
... Italy ! whose alter'd state Has felt the worst severity of Fate : 20 Not that Barbarian hands her Fafces broke , 25 And bow'd her haughty neck beneath their yoke ; Nor that her palaces to earth are thrown , Her Cities desert , and her ...
... Italy ! whose alter'd state Has felt the worst severity of Fate : 20 Not that Barbarian hands her Fafces broke , 25 And bow'd her haughty neck beneath their yoke ; Nor that her palaces to earth are thrown , Her Cities desert , and her ...
第 56 頁
... Italy , it cannot fo well be confidered as a copy of the ancients . Spenfer's Calendar , in Mr. Dryden's opinion , is the most complete work of this kind which any nation has produced ever fince the time of Virgil ' . Not but that he ...
... Italy , it cannot fo well be confidered as a copy of the ancients . Spenfer's Calendar , in Mr. Dryden's opinion , is the most complete work of this kind which any nation has produced ever fince the time of Virgil ' . Not but that he ...
第 165 頁
... , below . NOTES . VER . 112. Some on the leaves - Some drily plain , ] The first the Apes of thofe Italian Critics who at the restoration of letters These leave the fenfe , their learning to difplay , M 3 ESSAY ON CRITICISM . 165.
... , below . NOTES . VER . 112. Some on the leaves - Some drily plain , ] The first the Apes of thofe Italian Critics who at the restoration of letters These leave the fenfe , their learning to difplay , M 3 ESSAY ON CRITICISM . 165.
第 166 頁
... Italian and French Cri- ticifm , make no part of the character of these paltry mimics at home , defcribed by our Poet in the following lines , " Thefe leave the fenfe , their learning to display , " And those explain the meaning quite ...
... Italian and French Cri- ticifm , make no part of the character of these paltry mimics at home , defcribed by our Poet in the following lines , " Thefe leave the fenfe , their learning to display , " And those explain the meaning quite ...
第 177 頁
... Italy , " and ambitious to fnatch a palm from Rome , engages in an undertaking like that of Hannibal : Finely illuftrated by the fimilitude of an unexperienced tra veller penetrating thro ' the Alps . NOTES . " Langues , qui entend les ...
... Italy , " and ambitious to fnatch a palm from Rome , engages in an undertaking like that of Hannibal : Finely illuftrated by the fimilitude of an unexperienced tra veller penetrating thro ' the Alps . NOTES . " Langues , qui entend les ...
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againſt ancient Author beauty becauſe beſt boaſt breaſt caufe cauſe COMMENTARY confifts Critic Cynthus Dæmons DAPHNI deferve eaſe Eclogue ev'n ev'ry eyes facred fafe faid fair falfe fame fate fatire fecond feem fenfe fhade fhall fhews fhining fide fighs filver fince fing firft firſt flow'rs foft fome foon foreft fpirit ftill fubject fuch fung Genius Gnome grace groves heav'n himſelf Homer IMITATIONS infpire itſelf judge judgment juft juſt laft laſt lefs moſt Mufe Mufic Muſe muſt Nature NOTES numbers nymph o'er obferves occafion paffions Paftoral paſt pleas'd pleaſe pleaſure poem Poet Poet's Poetry pow'r praiſe pride Quintilian raiſe reafon reft rife riſe ſcene ſeem ſenſe ſhades ſhall ſhe ſhine ſhore ſhould ſkies ſpread ſpring ſtill ſtrain ſtreams Sylphs thee thefe themſelves Theocritus theſe thofe thoſe thou thro true Umbriel uſe VARIATIONS verfe Virg Virgil whofe whoſe write
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第 243 頁 - Favours to none, to all she smiles extends; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride, Might hide her faults, if belles had faults to hide: If to her share some female errors fall, Look on her face, and you'll forget 'em all.
第 146 頁 - HAPPY the man whose wish and care A few paternal acres bound, Content to breathe his native air, In his own ground ; Whose herds with milk, whose fields with bread, Whose flocks supply him with attire ; Whose trees in Summer yield him shade, In Winter fire.
第 261 頁 - For, that sad moment, when the sylphs withdrew^ And Ariel weeping from Belinda flew, Umbriel, a dusky, melancholy sprite, As ever sullied the fair face of light, Down to the central earth, his proper scene, Repair'd to search the gloomy cave of Spleen.
第 253 頁 - The rebel Knave, who dares his prince engage, Proves the just victim of his royal rage.
第 186 頁 - Some to Conceit alone their taste confine, And glitt'ring thoughts struck out at ev'ry line; 290 Pleas'd with a work where nothing's just or fit; One glaring Chaos and wild heap of wit. Poets like painters, thus, unskill'd to trace The naked nature and the living grace, With gold and jewels cover ev'ry part, 295 And hide with ornaments their want of art.
第 245 頁 - Their fluid bodies half dissolv'd in light. Loose to the wind their airy garments flew, Thin glitt'ring textures of the filmy dew, Dipt in the richest tincture of the skies, Where light disports in ever-mingling dyes, While ev'ry beam new transient colours flings, Colours that change whene'er they wave their wings.
第 236 頁 - Soft yielding minds to Water glide away, And sip, with Nymphs, their elemental Tea. The graver Prude sinks downward to a Gnome, In search of mischief still on Earth to roam. The light Coquettes in Sylphs aloft repair, And sport and flutter in the fields of Air.
第 254 頁 - He springs to vengeance with an eager pace, And falls like thunder on the prostrate ace. The nymph exulting fills with shouts the sky...
第 98 頁 - The swain in barren deserts with surprise Sees lilies spring, and sudden verdure rise ; And starts, amidst the thirsty wilds to hear New falls of water murmuring in his ear. On rifted rocks, the dragon's late abodes, The green reed trembles, and the bulrush nods.
第 262 頁 - Here living tea-pots stand, one arm held out, One bent ; the handle this, and that the spout...