Essays on the Picturesque, as Compared with the Sublime and the Beautiful: And, on the Use of Studying Pictures, for the Purpose of Improving Real Landscape, 第 3 卷J. Mawman, 1810 - 400 頁 |
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第 1 到 5 筆結果,共 21 筆
第 8 頁
... harmony , than " the fleek - coated " horfe , " or the dappled deer , * which have never till lately been discovered , when " in groups , to be meagre and spotty . " Amidst the severity of your satire on Mr. Brown and his followers , I ...
... harmony , than " the fleek - coated " horfe , " or the dappled deer , * which have never till lately been discovered , when " in groups , to be meagre and spotty . " Amidst the severity of your satire on Mr. Brown and his followers , I ...
第 61 頁
... harmony of tints ; in short , he knew the principles of his art . Take then the most dreffed and polifhed of all garden scenes , and what may be fuppofed leaft to intereft a painter - a mere flower - garden , furrounded with fhrubs ...
... harmony of tints ; in short , he knew the principles of his art . Take then the most dreffed and polifhed of all garden scenes , and what may be fuppofed leaft to intereft a painter - a mere flower - garden , furrounded with fhrubs ...
第 62 頁
... harmony , and connection - the va- riety of their forms , and their light and fhadow , were fuch as his judgment ap- proved ; while in the other , every thing was comparatively scattered , difcordant and in patches , and had neither the ...
... harmony , and connection - the va- riety of their forms , and their light and fhadow , were fuch as his judgment ap- proved ; while in the other , every thing was comparatively scattered , difcordant and in patches , and had neither the ...
第 68 頁
... poffible to painter's landscapes ; for I think you will acknowledge , that those scenes ( of what- ever kind ) which have most of a whole- of union , connection , and harmony ; that is , have most of the requifites of a picture is , [ 68 ]
... poffible to painter's landscapes ; for I think you will acknowledge , that those scenes ( of what- ever kind ) which have most of a whole- of union , connection , and harmony ; that is , have most of the requifites of a picture is , [ 68 ]
第 76 頁
... harmony with wild fcenery ; no - for fear of alluding to what might endanger the caufe , they are made in harmony with the gipfey ; not with those landscapes in which both they and the gipfey would be the most proper figures . You have ...
... harmony with wild fcenery ; no - for fear of alluding to what might endanger the caufe , they are made in harmony with the gipfey ; not with those landscapes in which both they and the gipfey would be the most proper figures . You have ...
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常見字詞
according admire againſt alfo alſo anſwer appear banks beauty broken Brown's Burke Burke's cafe character clumps colour compofition courſe defirous degree distinction Effay effect faid fame fcenery fcenes fhew fhould firſt fome fometimes ftudied fubject fuch fuppofe furface gardening ginal give gravel walk ground Hamilton harmony houſe Howard idea imitation improved itſelf jects juft juſt kind Knight landſcape landſcape-gardener leaſt lefs light look maffes manner means mind moft moſt muft muſt nature neral objects observed opinion painter perfect perhaps picturefque picturesque pleaſe pleasure Pomeranian dog Praxiteles principles produce profeffors profpects qualities racter refque Rembrandt reſpect rough ſay ſcene sense ſeparate Seymour shew Sir Joshua smooth ſtudy ſtyle sublime ſuch taſte thefe theſe thing thofe thoſe tints tion Titian trees ture ugly uſe UVEDALE PRICE variety Venus Venus de Medicis whole whoſe wild wiſh
熱門章節
第 210 頁 - To instance in a particular part of a feature: the line that forms the ridge of the nose is beautiful when it is straight; this then is the central form, which is oftener found than either concave, convex, or any other irregular form that shall be proposed.
第 186 頁 - I call beauty a social quality ; for where women and men, and not only they, but when other animals give us a sense of joy and pleasure in beholding them (and there are many that do so), they inspire us with sentiments of tenderness and affection towards their persons...
第 210 頁 - Among the various reasons why we prefer one part of her works to another, the most general, I believe, is habit and custom : custom makes, in a certain sense, white black, and black white ; it is custom alone determines our preference of the colour of the Europeans to the .(Ethiopians, and they, for the same reason, prefer their own colour to ours.
第 319 頁 - ... such objects. To express this in Painting, is to express what is congenial and natural to the mind of man, and what gives him by reflection his own mode of conceiving. The other pre-supposes nicety and research, which are only the business of the curious and attentive, and therefore does not speak to the general sense of the whole species ; in which common, and, as I may so call it, mother tongue, every thing grand and comprehensive must be uttered.
第 186 頁 - ... with respect to beauty in general. Even in treating of the beauty of Nature, his imagination always delights to repose on her softest and most feminine features; or, to use his own language, on " such qualities as induce in us a sense of tenderness and affection, or some other pas"sion the most nearly resembling these.
第 221 頁 - ... estimation with mankind in general, and that is the Venetian, or rather the manner of Titian ; which, simply considered as producing an effect of colours, will certainly eclipse with its splendour whatever is brought into competition with it. But, as I hinted before, if female delicacy and beauty be the principal object of the Painter's aim, the purity and clearness of the tint of Guido will correspond better, and more contribute to produce it than even the glowing tint of Titian.
第 218 頁 - Her pure and eloquent blood Spoke in her cheeks, and so distinctly wrought, That one might almost say her body thought.
第 36 頁 - Trees and plants of every kind (confidered as materials for landfcape) mould have room to fpread in various degrees, and in various * directions, and then accident will produce unthought-of varieties and beauties, without injuring the general defign: but if they are allowed to fpread in one direction only, you in a great meafure prevent the operation of accident; and thence the famenefs and heavinefs of the outfides of clumps, and of all clofe plantations.
第 20 頁 - Knight and you are in the habit of admiring fine pictures, and both live amidst bold and picturesque scenery : this may have rendered you insensible^ to the beauty of those milder scenes that have charms for common observers. I will not arraign your taste, or call it vitiated, but your palate certainly requires a degree of "irritation...
第 256 頁 - ... these extremes lies that grateful medium of grateful irritation, which produces the sensation of what, in visible objects, we call picturesque beauty, because painting, by imitating the visible qualities only, discriminates it from the objects of other senses by which it may be combined; and which, if productive of stronger impressions, either of pleasure or disgust, will overpower it : so that a mind not habituated to such discriminations, or a person not possessed of a painter's eye, does not...