The Complete Works of John Ruskin, 第 27 卷

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Society of English and French Literature, 1885
 

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第 151 頁 - Now in order that people may be happy in their work, these three things are needed : They must be fit for it : They must not do too much of it : and they must have a sense of success in it...
第 169 頁 - If their sympathies with the early artists lead them into medievalism or Romanism, they will of course come to nothing. But I believe there is no danger of this, at least for the strongest among them. There may be some weak ones, whom the Tractarian heresies may touch ; but if so, they will drop off like decayed branches from a strong stem.
第 155 頁 - Therefore, literally, it is no man's business whether he has genius or not : work he must, whatever he is, but quietly and steadily; and the natural and unforced results of such work will be always the things that God meant him to do, and will be his best.
第 150 頁 - Turner their example, as his latest are to be their object of emulation, should go to nature in all singleness of heart, and walk with her laboriously and trustingly, having no other thoughts but how best to penetrate her meaning, and remember her instruction, rejecting nothing, selecting nothing, and scorning nothing; believing all things to be right and good, and rejoicing always in the truth.
第 27 頁 - Passion natural, suffered from things visible ; passion spiritual, centred on things unseen : and the strife or antagonism which is throughout the subject of Lord Lindsay's proof, is not, as he has stated it, between the moral, intellectual, and sensual elements, but between the upward and downward tendencies of all three — between the spirit of Man which goeth upward, and the spirit of the Beast which goeth downward.
第 158 頁 - Europe, at the moment when the invention of printing superseded their legendary labors, was no false instinct. It was misunderstood and misapplied, but it came at the right time, and has maintained itself through all kinds of abuse ; presenting in the recent schools of landscape, perhaps only the first fruits of its power. That instinct was urging every painter in Europe at the same moment to his true duty—the faithful representation of all objects of historical interest, or of natural beauty existent...
第 152 頁 - The very removal of the massy bars which once separated one class of society from another, has rendered it tenfold more shameful in foolish people's, ie, in most people's eyes, to remain in the lower grades of it, than ever it was before. When a man born of an artisan was looked upon as an entirely different species of animal from a man born of a noble, it made him no more uncomfortable or ashamed to...
第 179 頁 - ... then all kinds of inner domestic life — interiors of rooms, studies of costumes, of still life, and heraldry, including multitudes of symbolical vignettes ; then marine scenery of every kind, full of local incident ; every kind of boat and...
第 192 頁 - They are different in their choice, different in their faculties, but all the same in this, that Raphael himself, BO far as he was great, and all who preceded or followed him who ever were great, became so by painting the truths around them as they appeared to each man's own mind, not as he had been taught to see them, except by the God who made both him and them.
第 286 頁 - But as I reach this point of reverence, the unreasonable thing is sure to give a shriek as of a thousand unanimous vultures, which leaves me shuddering in real physical pain for some half minute following...

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