Shakespeare's SonnetsRoutledge, 2013年9月13日 - 200 頁 This edition first published in 1979. Discussing Shakespeare's sonnets in relation to sonnets by Italian, French and English poets, Kenneth Muir shows how they were influenced by Shakespeare's reading of Sidney, Erasmus and Ovid and discusses their art in terms of construction, sound patterns and imagery. He considers the relationship of the sonnets to Shakespeare's dramatic writing, while stressing the dramatic element in the sonnets themselves. Finally he surveys the changing attitudes to the sonnets during the last three centuries. |
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... that the volumes in this series will be among those which a University teacher would normally recommend for any serious study of a particular text, and that they will also be among the essential secondary texts to be consulted in some ...
... that the volumes in this series will be among those which a University teacher would normally recommend for any serious study of a particular text, and that they will also be among the essential secondary texts to be consulted in some ...
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... that the whole collection was published in 1609. Five methods have been used, singly or in combination, to date the composition more precisely. i. Those critics who believe they know to whom the Sonnets were addressed are able to fix ...
... that the whole collection was published in 1609. Five methods have been used, singly or in combination, to date the composition more precisely. i. Those critics who believe they know to whom the Sonnets were addressed are able to fix ...
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... that the largest number of parallels are with works written between 1593 and 1595.4 But the peaks on the graph represented by Venus and Adonis, Lucrece, Love's Labour's Lost and Romeo and Juliet may be explained by the congruity of the ...
... that the largest number of parallels are with works written between 1593 and 1595.4 But the peaks on the graph represented by Venus and Adonis, Lucrece, Love's Labour's Lost and Romeo and Juliet may be explained by the congruity of the ...
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... that 'the vast majority of the sonnets ... seem to have been written between 1591–2 and 1594–5'.7 Quite properly, Schaar is cautious. We do not know when some poems were written (e.g. Marlowe's Hero and Leander), and resemblances ...
... that 'the vast majority of the sonnets ... seem to have been written between 1591–2 and 1594–5'.7 Quite properly, Schaar is cautious. We do not know when some poems were written (e.g. Marlowe's Hero and Leander), and resemblances ...
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... That 'the onlie begetter' (see Appendix A) was not the man to whom the Sonnets were addressed – as nearly everyone supposes – but the man who procured them for the publisher involves a strained use of language, but cannot be entirely ...
... That 'the onlie begetter' (see Appendix A) was not the man to whom the Sonnets were addressed – as nearly everyone supposes – but the man who procured them for the publisher involves a strained use of language, but cannot be entirely ...
內容
Tradition and the Individual Talent | |
Commentary | |
Style | |
The Truest Poetry | |
Links With Other Works | |
Critical History | |
C The Rival Poets | |
Notes | |
Select Bibliography | |
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常見字詞
addressed alliteration appears argued argument Astrophil and Stella autobiographical Baldwin beauty beauty's believe Berowne's C. S. Lewis Chapter compared concerned contrast critics Dark Lady Dark Lady sonnets death doth Dover Wilson dramatic Drayton echoed edition Elizabethan Sonnet Emilia Lanier Erasmus Essay example eyes fair flowers friendship hath heart Hotson Hubler ibid idea imagery imitated immortalising immortality Keats Kenneth Muir later linked live loue Love's Love's Labour's Lost lover Lover's Complaint lust marry means Melchiori merely mistress Ovid parallels Petrarch phrase plays poem Poet's poetry praise previous sonnet Psalms quatrain quibbles refer rhyme Rival Poet Rollins Ronsard second quatrain seems sequence seventeen sonnets sexual Shakespeare Shakespeare's Sonnets shame Sidney Sidney's Sonnets were written Southampton Spenser spirit Stephen Booth suggested summer's sweet thee theme thine third quatrain thought Time's translation true Venus and Adonis verse words writing wrote XCIV