Shakespeare's SonnetsRoutledge, 2013年9月13日 - 200 頁 This edition first published in 1979. Discussing Shakespeare's sonnets in relation to sonnets by Italian, French and English poets, Kenneth Muir shows how they were influenced by Shakespeare's reading of Sidney, Erasmus and Ovid and discusses their art in terms of construction, sound patterns and imagery. He considers the relationship of the sonnets to Shakespeare's dramatic writing, while stressing the dramatic element in the sonnets themselves. Finally he surveys the changing attitudes to the sonnets during the last three centuries. |
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第 1 到 5 筆結果,共 57 筆
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... man, they could not have been written before 1596; and, if CXLV was really addressed to Anne Hathaway, that must have been written before she became Mrs Shakespeare in 1583.2 ii. A similar method is used by many of the same critics: to ...
... man, they could not have been written before 1596; and, if CXLV was really addressed to Anne Hathaway, that must have been written before she became Mrs Shakespeare in 1583.2 ii. A similar method is used by many of the same critics: to ...
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... man to whom the Sonnets were addressed – as nearly everyone supposes – but the man who procured them for the publisher involves a strained use of language, but cannot be entirely ruled out.10 William Harvey, who married Southampton's ...
... man to whom the Sonnets were addressed – as nearly everyone supposes – but the man who procured them for the publisher involves a strained use of language, but cannot be entirely ruled out.10 William Harvey, who married Southampton's ...
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... man; thirdly, that the poet had only one mistress; fourthly, that, even if all these assumptions were justified, the order would be improved by the insertion of the Dark Lady sonnets in the sequence addressed to Mr W.H. But the sequence ...
... man; thirdly, that the poet had only one mistress; fourthly, that, even if all these assumptions were justified, the order would be improved by the insertion of the Dark Lady sonnets in the sequence addressed to Mr W.H. But the sequence ...
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Kenneth Muir. man, probably of aristocratic birth; that he urged him to marry and then claimed that he would immortalise ... man's character had serious faults, as the poet was reluctantly forced to acknowledge. Sonnet sequences from the ...
Kenneth Muir. man, probably of aristocratic birth; that he urged him to marry and then claimed that he would immortalise ... man's character had serious faults, as the poet was reluctantly forced to acknowledge. Sonnet sequences from the ...
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... man to marry (I–XIV). But Stirling distinguishes between the poems which are complete in themselves (e.g. XXV–XXVI or XXIX–XXXI) and those which are linked with others, as XV–XVII are clearly linked with the first fourteen. Shakespeare ...
... man to marry (I–XIV). But Stirling distinguishes between the poems which are complete in themselves (e.g. XXV–XXVI or XXIX–XXXI) and those which are linked with others, as XV–XVII are clearly linked with the first fourteen. Shakespeare ...
內容
Tradition and the Individual Talent | |
Commentary | |
Style | |
The Truest Poetry | |
Links With Other Works | |
Critical History | |
C The Rival Poets | |
Notes | |
Select Bibliography | |
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常見字詞
addressed alliteration appears argued argument Astrophil and Stella autobiographical Baldwin beauty beauty's believe Berowne's C. S. Lewis Chapter compared concerned contrast critics Dark Lady Dark Lady sonnets death doth Dover Wilson dramatic Drayton echoed edition Elizabethan Sonnet Emilia Lanier Erasmus Essay example eyes fair flowers friendship hath heart Hotson Hubler ibid idea imagery imitated immortalising immortality Keats Kenneth Muir later linked live loue Love's Love's Labour's Lost lover Lover's Complaint lust marry means Melchiori merely mistress Ovid parallels Petrarch phrase plays poem Poet's poetry praise previous sonnet Psalms quatrain quibbles refer rhyme Rival Poet Rollins Ronsard second quatrain seems sequence seventeen sonnets sexual Shakespeare Shakespeare's Sonnets shame Sidney Sidney's Sonnets were written Southampton Spenser spirit Stephen Booth suggested summer's sweet thee theme thine third quatrain thought Time's translation true Venus and Adonis verse words writing wrote XCIV