Shakespeare's SonnetsRoutledge, 2013年9月13日 - 200 頁 This edition first published in 1979. Discussing Shakespeare's sonnets in relation to sonnets by Italian, French and English poets, Kenneth Muir shows how they were influenced by Shakespeare's reading of Sidney, Erasmus and Ovid and discusses their art in terms of construction, sound patterns and imagery. He considers the relationship of the sonnets to Shakespeare's dramatic writing, while stressing the dramatic element in the sonnets themselves. Finally he surveys the changing attitudes to the sonnets during the last three centuries. |
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... Venus and Adonis, Lucrece, Love's Labour's Lost and Romeo and Juliet may be explained by the congruity of the content of those works with that of the Sonnets. Romeo's unreturned love for Rosaline, for example, is a classic sonnet ...
... Venus and Adonis, Lucrece, Love's Labour's Lost and Romeo and Juliet may be explained by the congruity of the content of those works with that of the Sonnets. Romeo's unreturned love for Rosaline, for example, is a classic sonnet ...
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... Venus and Adonis with some of the Sonnets, seem to exaggerate the comparative weakness of the former, which may be due, in any case, to other considerations. 8. b. Text. Two of the 'Dark Lady' sonnets (CXXXVIII, CXLIV) were printed in The ...
... Venus and Adonis with some of the Sonnets, seem to exaggerate the comparative weakness of the former, which may be due, in any case, to other considerations. 8. b. Text. Two of the 'Dark Lady' sonnets (CXXXVIII, CXLIV) were printed in The ...
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... Venus and Adonis was a bestseller. It is therefore odd that the Sonnets were not reprinted during the seventeenth century – other than in the 1640 collection. It has been surmised that by 1609 the sonneteering craze had burnt itself out ...
... Venus and Adonis was a bestseller. It is therefore odd that the Sonnets were not reprinted during the seventeenth century – other than in the 1640 collection. It has been surmised that by 1609 the sonneteering craze had burnt itself out ...
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... Venus sweetly smiled' and Sonnet 3 begins 'Shee smild', and to pacify Cupid she agrees to let him have his revenge. In Sonnet 4, Cupid fails to wound the Poet, until in Sonnet 6 'he coucht himselfe within my Ladies eies' and the Poet ...
... Venus sweetly smiled' and Sonnet 3 begins 'Shee smild', and to pacify Cupid she agrees to let him have his revenge. In Sonnet 4, Cupid fails to wound the Poet, until in Sonnet 6 'he coucht himselfe within my Ladies eies' and the Poet ...
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內容
Tradition and the Individual Talent | |
Commentary | |
Style | |
The Truest Poetry | |
Links With Other Works | |
Critical History | |
C The Rival Poets | |
Notes | |
Select Bibliography | |
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常見字詞
addressed alliteration appears argued argument Astrophil and Stella autobiographical Baldwin beauty beauty's believe Berowne's C. S. Lewis Chapter compared concerned contrast critics Dark Lady Dark Lady sonnets death doth Dover Wilson dramatic Drayton echoed edition Elizabethan Sonnet Emilia Lanier Erasmus Essay example eyes fair flowers friendship hath heart Hotson Hubler ibid idea imagery imitated immortalising immortality Keats Kenneth Muir later linked live loue Love's Love's Labour's Lost lover Lover's Complaint lust marry means Melchiori merely mistress Ovid parallels Petrarch phrase plays poem Poet's poetry praise previous sonnet Psalms quatrain quibbles refer rhyme Rival Poet Rollins Ronsard second quatrain seems sequence seventeen sonnets sexual Shakespeare Shakespeare's Sonnets shame Sidney Sidney's Sonnets were written Southampton Spenser spirit Stephen Booth suggested summer's sweet thee theme thine third quatrain thought Time's translation true Venus and Adonis verse words writing wrote XCIV