Shakespeare's SonnetsRoutledge, 2013年9月13日 - 200 頁 This edition first published in 1979. Discussing Shakespeare's sonnets in relation to sonnets by Italian, French and English poets, Kenneth Muir shows how they were influenced by Shakespeare's reading of Sidney, Erasmus and Ovid and discusses their art in terms of construction, sound patterns and imagery. He considers the relationship of the sonnets to Shakespeare's dramatic writing, while stressing the dramatic element in the sonnets themselves. Finally he surveys the changing attitudes to the sonnets during the last three centuries. |
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... been altered after comparison with the 1609 Quarto and other editions. The editions of other sonneteers are listed in the Select Bibliography. Preface General Editor's Preface Acknowledgements 1 Preliminaries (a) Date (b)
... been altered after comparison with the 1609 Quarto and other editions. The editions of other sonneteers are listed in the Select Bibliography. Preface General Editor's Preface Acknowledgements 1 Preliminaries (a) Date (b)
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... Quarto. It is difficult to tell whether the others are due to compositors or transcribers and which, if any, were Shakespearian first shots. The Quarto (1609) provides the basis for all modern texts of the Sonnets since the Poems of ...
... Quarto. It is difficult to tell whether the others are due to compositors or transcribers and which, if any, were Shakespearian first shots. The Quarto (1609) provides the basis for all modern texts of the Sonnets since the Poems of ...
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... Quarto spellings may be authorial, but there is no certain evidence that it was printed from Shakespeare's own manuscript.12 Indeed, the most careful study of the habits of the compositors makes it seem unlikely that the poet's ...
... Quarto spellings may be authorial, but there is no certain evidence that it was printed from Shakespeare's own manuscript.12 Indeed, the most careful study of the habits of the compositors makes it seem unlikely that the poet's ...
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... Quarto are plainly inseparable. The link between XCIII, LXIX and LXX is that they have parallel phrases in the concluding couplets: 'answer not thy show', 'matcheth not thy show', 'masked not thy show'. Although theoretically XCIII ...
... Quarto are plainly inseparable. The link between XCIII, LXIX and LXX is that they have parallel phrases in the concluding couplets: 'answer not thy show', 'matcheth not thy show', 'masked not thy show'. Although theoretically XCIII ...
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... Quarto order, with its division into two sequences, can be supported by a number of powerful arguments. In the first place, it should be mentioned that there are no less than fourteen adjacent sonnets in the Quarto with identical pairs ...
... Quarto order, with its division into two sequences, can be supported by a number of powerful arguments. In the first place, it should be mentioned that there are no less than fourteen adjacent sonnets in the Quarto with identical pairs ...
內容
Tradition and the Individual Talent | |
Commentary | |
Style | |
The Truest Poetry | |
Links With Other Works | |
Critical History | |
C The Rival Poets | |
Notes | |
Select Bibliography | |
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常見字詞
addressed alliteration appears argued argument Astrophil and Stella autobiographical Baldwin beauty beauty's believe Berowne's C. S. Lewis Chapter compared concerned contrast critics Dark Lady Dark Lady sonnets death doth Dover Wilson dramatic Drayton echoed edition Elizabethan Sonnet Emilia Lanier Erasmus Essay example eyes fair flowers friendship hath heart Hotson Hubler ibid idea imagery imitated immortalising immortality Keats Kenneth Muir later linked live loue Love's Love's Labour's Lost lover Lover's Complaint lust marry means Melchiori merely mistress Ovid parallels Petrarch phrase plays poem Poet's poetry praise previous sonnet Psalms quatrain quibbles refer rhyme Rival Poet Rollins Ronsard second quatrain seems sequence seventeen sonnets sexual Shakespeare Shakespeare's Sonnets shame Sidney Sidney's Sonnets were written Southampton Spenser spirit Stephen Booth suggested summer's sweet thee theme thine third quatrain thought Time's translation true Venus and Adonis verse words writing wrote XCIV