Shakespeare's SonnetsRoutledge, 2013年9月13日 - 200 頁 This edition first published in 1979. Discussing Shakespeare's sonnets in relation to sonnets by Italian, French and English poets, Kenneth Muir shows how they were influenced by Shakespeare's reading of Sidney, Erasmus and Ovid and discusses their art in terms of construction, sound patterns and imagery. He considers the relationship of the sonnets to Shakespeare's dramatic writing, while stressing the dramatic element in the sonnets themselves. Finally he surveys the changing attitudes to the sonnets during the last three centuries. |
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... did many other poets. Even here there are doubts, for Shakespeare clearly echoed Daniel in Romeo and Juliet, Richard II and Antony and Cleopatra. Michael Drayton, Barnabe Barnes and Bartholomew Griffin were also derivative.
... did many other poets. Even here there are doubts, for Shakespeare clearly echoed Daniel in Romeo and Juliet, Richard II and Antony and Cleopatra. Michael Drayton, Barnabe Barnes and Bartholomew Griffin were also derivative.
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Kenneth Muir. Michael Drayton, Barnabe Barnes and Bartholomew Griffin were also derivative. The best of this trio, Drayton, did not develop into an impressive sonneteer until he had learnt some valuable lessons from Shakespeare. On the ...
Kenneth Muir. Michael Drayton, Barnabe Barnes and Bartholomew Griffin were also derivative. The best of this trio, Drayton, did not develop into an impressive sonneteer until he had learnt some valuable lessons from Shakespeare. On the ...
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... , and Emaricdulfe by E.C.; in 1596 Fidessa by Bartholomew Griffin, Diella by Richard Linche, and Chloris by William Smith; in 1597 Robert Tofte's Laura, resembling Petrarch more in title than in content. In addition to these volumes.
... , and Emaricdulfe by E.C.; in 1596 Fidessa by Bartholomew Griffin, Diella by Richard Linche, and Chloris by William Smith; in 1597 Robert Tofte's Laura, resembling Petrarch more in title than in content. In addition to these volumes.
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內容
Tradition and the Individual Talent | |
Commentary | |
Style | |
The Truest Poetry | |
Links With Other Works | |
Critical History | |
C The Rival Poets | |
Notes | |
Select Bibliography | |
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常見字詞
addressed alliteration appears argued argument Astrophil and Stella autobiographical Baldwin beauty beauty's believe Berowne's C. S. Lewis Chapter compared concerned contrast critics Dark Lady Dark Lady sonnets death doth Dover Wilson dramatic Drayton echoed edition Elizabethan Sonnet Emilia Lanier Erasmus Essay example eyes fair flowers friendship hath heart Hotson Hubler ibid idea imagery imitated immortalising immortality Keats Kenneth Muir later linked live loue Love's Love's Labour's Lost lover Lover's Complaint lust marry means Melchiori merely mistress Ovid parallels Petrarch phrase plays poem Poet's poetry praise previous sonnet Psalms quatrain quibbles refer rhyme Rival Poet Rollins Ronsard second quatrain seems sequence seventeen sonnets sexual Shakespeare Shakespeare's Sonnets shame Sidney Sidney's Sonnets were written Southampton Spenser spirit Stephen Booth suggested summer's sweet thee theme thine third quatrain thought Time's translation true Venus and Adonis verse words writing wrote XCIV