Post-war Cinema and Modernity: A Film ReaderJohn Orr, Olga Taxidou NYU Press, 2001 - 445 頁 Post-war Cinema and Modernity explores the relationship between film and modernity in the second half of the twentieth century. It begins with essays analyzing new post-war forms of film narrative and responses to the filmic innovations of the 1960s and the question of modernism. Pasolini's landmark polemic on the cinema of poetry is a vital springboard for the later critiques of time and the image, subjectivities and their narrative transformation, and the topical question of film and postmodernity. A discussion of changes in film technology and cinematic perception extend to the questions of film documentary. Finally, there is a focus on cinematographers and their filmic collaboration. |
內容
John Orr | 5 |
Cinematic Realism and the Italian School | 13 |
J P Telotte | 25 |
Pier Paolo Pasolini | 37 |
Christian Metz | 54 |
Noël Burch | 66 |
Bruce F Kawin | 76 |
Gilles Deleuze | 89 |
Duncan Petrie | 223 |
Nestor Almendros | 234 |
Dennis Schaefer and Larry Salvato | 247 |
Olga Taxidou | 261 |
Donald Richie | 267 |
Tania Modleski | 275 |
Terry Comito | 287 |
Paul Schrader | 298 |
Teresa de Lauretis | 103 |
Fredric Jameson | 119 |
John | 133 |
A Travelling Shot over Eighty Years | 145 |
Peter Wollen | 160 |
Jacques Aumont | 167 |
Andrei Tarkovsky | 181 |
Bill Nichols | 188 |
Scott Bukatman | 208 |