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第 1 到 5 筆結果,共 32 筆
第 9 頁
... feel so discouraging ! Our main discovery in theatre has been that there are no occupations so full of exhilerating fun as those connec- ted with putting on a play . Imagining together is the basis ; then working like fury to make this ...
... feel so discouraging ! Our main discovery in theatre has been that there are no occupations so full of exhilerating fun as those connec- ted with putting on a play . Imagining together is the basis ; then working like fury to make this ...
第 12 頁
... feel other than a nervous producer - stand - in . But the audience didn't get up and leave , so my confidence grew . I actually began to en- joy this business . Act Two finished and we reached the mounting climax and quickening comic ...
... feel other than a nervous producer - stand - in . But the audience didn't get up and leave , so my confidence grew . I actually began to en- joy this business . Act Two finished and we reached the mounting climax and quickening comic ...
第 23 頁
... feeling you get in one of these is the feeling of shared enthusiasm , constantly maintained and at a high pitch . Intelligence is at work in every member , the muscles of the imagination are always being flexed ; there is a sense of ...
... feeling you get in one of these is the feeling of shared enthusiasm , constantly maintained and at a high pitch . Intelligence is at work in every member , the muscles of the imagination are always being flexed ; there is a sense of ...
第 25 頁
... feel rather glad you only intend sticking to Little Theatre or other amateur work , or else shrug off the difficulties if you mean to be a professional . No " system " ever stopped a deter- mined person from pursuing the course they ...
... feel rather glad you only intend sticking to Little Theatre or other amateur work , or else shrug off the difficulties if you mean to be a professional . No " system " ever stopped a deter- mined person from pursuing the course they ...
第 30 頁
... feeling the diaphragm rise and fall rhythmically . Count men- tally as you breathe in , 1 , 2 , 3 ; as you breathe out , 1 , 2 , 3. Then increase to 1 , 2 , 3 , 4 . 2. For the lower rib cage . ( a ) With your mouth open lift and lower ...
... feeling the diaphragm rise and fall rhythmically . Count men- tally as you breathe in , 1 , 2 , 3 ; as you breathe out , 1 , 2 , 3. Then increase to 1 , 2 , 3 , 4 . 2. For the lower rib cage . ( a ) With your mouth open lift and lower ...
常見字詞
acting actor or actress actors and actresses amateur society artists audience Barbara Bingham begin breath British Drama League cast chapter character Christopher Fry climax comedy consonants costumes course curtain detail drama schools emotional exercises experience express feel Festival film front give idea imagination John Gunn Laurence Olivier lighting lines Little Theatre Little Theatre Guild London look MARGARET MITCHELL mean mental mouth movement moves muscles night organizations particular performance perhaps play playwright plosives plot practice producer proscenium Questors Questors Theatre rehearsal relaxation repertory companies resonance rhythm Royal Court Theatre Saint Joan scene scenery script shape side soft palate sort sound speech Spotlight stage lighting stage manager technique television theatrical things tion tongue voice production vowel week weekly repertory West End whole words world of theatre write دو
熱門章節
第 48 頁 - I fondly ask. But Patience, to prevent That murmur, soon replies, 'God doth not need Either man's work or his own gifts. Who best Bear his mild yoke, they serve him best. His state Is kingly : thousands at his bidding speed, And post o'er land and ocean without rest...
第 37 頁 - My soul is an enchanted boat, Which, like a sleeping swan, doth float Upon the silver waves of thy sweet singing...
第 61 頁 - You blocks, you stones, you worse than senseless things! O, you hard hearts, you cruel men of Rome, Knew you not Pompey ? Many a time and oft Have you climbed up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The live-long day, with patient expectation, To see great Pompey pass the streets of Rome...
第 52 頁 - And licked the soup from the cooks' own ladles, Split open the kegs of salted sprats, Made nests inside men's Sunday hats, And even spoiled the women's chats By drowning their speaking With shrieking and squeaking In fifty different sharps and flats.
第 44 頁 - We heard the sweet bells over the bay ? In the caverns where we lay, Through the surf and through the swell, The far-off sound of a silver bell ? Sand-strewn caverns, cool and deep, Where the winds are all asleep ; Where the spent lights quiver and gleam ; Where the salt weed sways in the stream ; Where the...
第 42 頁 - And mounts in spray the skies, and thence again Returns in an unceasing shower, which round, With its unemptied cloud of gentle rain, Is an eternal April to the ground Making it all one emerald : — how profound The gulf!
第 42 頁 - I stood in Venice, on the Bridge of Sighs; A palace and a prison on each hand...
第 53 頁 - There was a rustling that seemed like a bustling Of merry crowds justling at pitching and hustling, Small feet were pattering, wooden shoes clattering, Little hands clapping and little tongues chattering, And, like fowls in a farmyard when barley is scattering Out came the children running. All the little boys and girls, With rosy cheeks and flaxen curls...
第 40 頁 - Gold! gold! gold! gold! Bright and yellow, hard and cold, Molten, graven, hammered and rolled ; Heavy to get, and light to hold ; Hoarded, bartered, bought, and sold, Stolen, borrowed, squandered, doled : Spurned by the young, but hugged by the old To the very verge of the church-yard mould ; Price of many a crime untold : Gold ! gold ! gold ! gold...
第 62 頁 - And do you now put on your best attire? And do you now cull out a holiday ? And do you now strew flowers in his way, That comes in triumph over Pompey's blood? Be gone! Run to your houses, fall upon your knees, Pray to the gods to intermit the plague That needs must light on this ingratitude.