Critical Representations of Work and Organization in Popular Culture

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Routledge, 2007年12月21日 - 256 頁

This book challenges traditional organizational theory, looking to representations of work and organizations within popular culture and the ways in which these institutions have also been conceptualized and critiqued there. Through a series of essays, Rhodes and Westwood examine popular culture as a compelling and critical arena in which the complex and contradictory relations that people have with the organizations in which they work are played out. By articulating the knowledge in popular culture with that in theory, they provide new avenues for understanding work organizations as the dominant institutions in contemporary society.

Rhodes and Westwood provide a critical review of how organizations are represented in various examples of contemporary popular culture. The book demonstrates how popular culture can be read as an embodiment of knowledge about organizations – often more compelling than those common to theory – and explores the critical potential of such knowledge and the way in which popular culture can reflect on the spirit of resistance, carnivalisation and rebellion.

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內容

Acknowledgements
Management as popular culture
Articulating organization studies and popular culture
Men nonmen and masculinity in Glengarry Glen Ross The retardations of
Commerce is our goal Corporate power and the novum in Blade Runner
From The Rag Trade to Ab Fab Representations of work gender and
The reception of McDonalds in sociology and television animation
Bruce Springsteen management gurus and the trouble of the promised land
Selling out Authenticity resistance and punk rock
Sampling tinkering and the glitch Bricolage in popular music and
Notes
References
Index
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關於作者 (2007)

Carl Rhodes is Professor of Organization Studies at the University of Technology, Sydney. Robert Westwood is Reader at the University of Queensland Business School. Their book Humour, Work and Organization (2007) is also published by Routledge.

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