Literature and CriticismBookland, 1963 - 287 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 21 筆
第 76 頁
... wanted only to draw from Nature but found that Nature and Homer were the same ( 135 ) . Thus Pope wanted creative genius to follow a well - marked path a path that neo - classicists marked out , following in their own way Aristotle ...
... wanted only to draw from Nature but found that Nature and Homer were the same ( 135 ) . Thus Pope wanted creative genius to follow a well - marked path a path that neo - classicists marked out , following in their own way Aristotle ...
第 85 頁
... wanted to foster sounder literary taste and Pope collected the principles preached by authorities whose footsteps he wanted to follow . Johnson started by criticising current critical abuses and then preached certain positive views , in ...
... wanted to foster sounder literary taste and Pope collected the principles preached by authorities whose footsteps he wanted to follow . Johnson started by criticising current critical abuses and then preached certain positive views , in ...
第 108 頁
... wanted to reveal to us his world , the experiences he felt significant , enriched by his imagination . Wordsworth , too , turned to Nature , his vivid sensations and " spontaneous overflow of powerful feelings " for composing good ...
... wanted to reveal to us his world , the experiences he felt significant , enriched by his imagination . Wordsworth , too , turned to Nature , his vivid sensations and " spontaneous overflow of powerful feelings " for composing good ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
版權所有 | |
18 個其他區段未顯示
其他版本 - 查看全部
常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing