Literature and CriticismBookland, 1963 - 287 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 50 筆
第 258 頁
... verse translation of the Fourth Book of Aeneid ( 1557 ) by Surrey . Ascham was glad that the noble lord had avoided the " fault of rhyming " but regretted that he was far from perfect in this form of versifying . expected from such a ...
... verse translation of the Fourth Book of Aeneid ( 1557 ) by Surrey . Ascham was glad that the noble lord had avoided the " fault of rhyming " but regretted that he was far from perfect in this form of versifying . expected from such a ...
第 260 頁
... verses . And then Shakespeare perfected the blank verse as the form nearest to conversation and as such best suited for the stage . The decadence followed as naturally as night follows day . The stage was closed and when it reopened a ...
... verses . And then Shakespeare perfected the blank verse as the form nearest to conversation and as such best suited for the stage . The decadence followed as naturally as night follows day . The stage was closed and when it reopened a ...
第 265 頁
... verse ; but he forgets that when his author attempted the Iliad , some years afterwards he departed from his own decision , and translated into rhyme " . With the passage of years public opinion was gradually settling down . Previously ...
... verse ; but he forgets that when his author attempted the Iliad , some years afterwards he departed from his own decision , and translated into rhyme " . With the passage of years public opinion was gradually settling down . Previously ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
版權所有 | |
18 個其他區段未顯示
其他版本 - 查看全部
常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing