Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 47 筆
第 2 頁
... understand a subject thoroughly , relate it to the past and the present , and , without being . swayed by any pre - conceived notion or bias , to weigh it in the balance and unemotionally elucidate the subject for the general reader to ...
... understand a subject thoroughly , relate it to the past and the present , and , without being . swayed by any pre - conceived notion or bias , to weigh it in the balance and unemotionally elucidate the subject for the general reader to ...
第 171 頁
... understand in plain terms what the writer means . It is clear from the very first sentence that something must claim the critic's attention first . He then tries to realize " sensitively " and " completely " that something . As regards ...
... understand in plain terms what the writer means . It is clear from the very first sentence that something must claim the critic's attention first . He then tries to realize " sensitively " and " completely " that something . As regards ...
第 230 頁
... understand such poetry . Bridges points out that this is a wrong notion . Dr. Johnson could understand Milton's Lycidas but he condemned it because he had an " unpoetic mind . Following Coleridge he says that it is not the full ...
... understand such poetry . Bridges points out that this is a wrong notion . Dr. Johnson could understand Milton's Lycidas but he condemned it because he had an " unpoetic mind . Following Coleridge he says that it is not the full ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing