Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 36 筆
第 70 頁
... style has been regarded by critics as " the manifesto of a fresh stage in English style - criticism " . It had been written before Addison , Steele and Pope wrote anything on the subject . He conceded that the language and style had ...
... style has been regarded by critics as " the manifesto of a fresh stage in English style - criticism " . It had been written before Addison , Steele and Pope wrote anything on the subject . He conceded that the language and style had ...
第 113 頁
... Style ( Miscellanies ) is also another remarkable piece , written in haste but still inspired , containing illuminating passages like , " Style is of course nothing but the art of conveying the meaning appropriately and with perspicuity ...
... Style ( Miscellanies ) is also another remarkable piece , written in haste but still inspired , containing illuminating passages like , " Style is of course nothing but the art of conveying the meaning appropriately and with perspicuity ...
第 207 頁
... style is to be clear without being mean " . He explained that the clearest style is that which uses only current words or idioms . But lofty diction depends on the employment of unusual words- " strange or rare words , metaphori- cal ...
... style is to be clear without being mean " . He explained that the clearest style is that which uses only current words or idioms . But lofty diction depends on the employment of unusual words- " strange or rare words , metaphori- cal ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing