Literature and CriticismBookland, 1963 - 287 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 42 筆
第 44 頁
... stage ; and that the intervals and inequalities of time be supposed to fall out between the acts " . The matter preceding the action presented on the stage was given by narration , " so that they set the audience , as it were , at the ...
... stage ; and that the intervals and inequalities of time be supposed to fall out between the acts " . The matter preceding the action presented on the stage was given by narration , " so that they set the audience , as it were , at the ...
第 53 頁
... stage of perfection which the French poets could not hope to reach . As regards the importance of one towering ... stage . Incredible actions should also be removed . But Englishmen wanted combats and other objects of horror on the stage ...
... stage of perfection which the French poets could not hope to reach . As regards the importance of one towering ... stage . Incredible actions should also be removed . But Englishmen wanted combats and other objects of horror on the stage ...
第 273 頁
... stage to be two distant countries in different scenes . Imagination has also to be partially guided by reason . " Fancy and Reason go hand in hand ; the first cannot leave the last behind ; and though Fancy , when it sees the wide gulf ...
... stage to be two distant countries in different scenes . Imagination has also to be partially guided by reason . " Fancy and Reason go hand in hand ; the first cannot leave the last behind ; and though Fancy , when it sees the wide gulf ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
版權所有 | |
18 個其他區段未顯示
其他版本 - 查看全部
常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing