Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 72 筆
第 246 頁
... sense approve ” . Following Cowley's Ode of Wit Pope sometimes used the word in the sense in which Coleridge used the word ' imagination ' . Empson points out that in Cowley's poem we have ' wit ' in the sense of “ almost exactly ...
... sense approve ” . Following Cowley's Ode of Wit Pope sometimes used the word in the sense in which Coleridge used the word ' imagination ' . Empson points out that in Cowley's poem we have ' wit ' in the sense of “ almost exactly ...
第 249 頁
... sense of the term , ' imagination ' and ' judgment ' ( i.e. control of that imagination ) in this passage : " In the first line , Wit is used , in the modern sense , for the effort of Fancy ; in the second it is used , in the ancient sense ...
... sense of the term , ' imagination ' and ' judgment ' ( i.e. control of that imagination ) in this passage : " In the first line , Wit is used , in the modern sense , for the effort of Fancy ; in the second it is used , in the ancient sense ...
第 255 頁
... sense and the conceptual world of the understanding " . It was the latter which gave the higher form to the data of sense . Coleridge could not accept this view . He was inclined towards Schelling's view that consciousness comprises the ...
... sense and the conceptual world of the understanding " . It was the latter which gave the higher form to the data of sense . Coleridge could not accept this view . He was inclined towards Schelling's view that consciousness comprises the ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing